A perfect combo is the second release for the catalogue of Kaiser's imprint K S R. The infamous duo 999999999 introduces the A-side with a 90s banger cut followed by Kaiser and Eric Fetcher's tr909 textures and hypnotics journeys. Different is the B-side, with Wrong Assessment meeting Conrad Van Orton and their huge and experimental designs.
a1. 999999999 - 09 09 1999
a2. Kaiser - Rotational Inertia
a3. Eric Fetcher - Banks
b1. Wrong Assessment - Area 104
b2. Conrad Van Orton - Self Obsessed But Charmless
Lovely lush emotive dancetracks full of cosmic! vibes In the opening track, a male soothing voice warns us for a gravitational collapse, and he couldn't be more right! Our new family member, INTIMACY, drags you from one musical dimension to another. His outerworld soundscapes and propelling drum rhythms make you doubt whether or not you're still on earth. Enjoy the trip!
Ellen Allien launches her UFO Inc. label with an EP that features the epic 'UFO' which has been on heavy rotation in her DJ sets all summer long. Between 'UFO' and the hard-hitting acid belter 'Korpermaschine' on the flipside, the 'UFO' EP perfectly captures the energetic hardware sound of Allien's new imprint, which will be dedicated to a rough and raw approach to contemporary techno.
For its fourth release, Harry Agius aka Midland’s Graded label has signed its first new act in the form of Montreal-based Solitary Dancer. With ‘Desire & Apathy’ being instantly familiar to anyone who heard Midland’s Essential Mix earlier this year, this eponymously titled release marks the debut of Solitary Dancer, as well as Agius’ second time stepping into the role of label A&R following Hubie Davidson’s appearance on Graded’s ‘Regraded’ sub-label last year.
Coming out of Amsterdam via London, Breach’s Naked Naked imprint has been a platform from the globally lauded producer can launch club-ready material both from himself and his peers.
Having previously released records from Maison Sky, J.Tijn and Viers - the next in an ever-reliable series welcomes back Church and 2020 Midnight Visions affiliate Lorca for his third outing on the label.
Hailing from Brighton, Lorca has garnered a following behind several extolled 12″s showcasing his intricate and spectral brand of UK Electronic music. His latest offering expands on this with three moody cuts that meld eyesdown melodies with sharp, lively drum structures.
‘Creta Kano’ kicks things off with ticking percussion scurrying over a rubbery, tape driven thud. Deft dynamics build depth in the mix as detuned and delayed synth lines interweave to stunning effect.
‘Malta Kano’ then sets more textures bubbling behind bright drums and powerful, melodic synth leads. The Alt version of ‘Creta Kano’ then brings things to a dark and purposeful close. Field recordings gently bleed in and out of focus while more glowing synthesis occupies the foreground. A warped sequence circles in towards the close bringing another insight into the chops of one of the UK’s most dynamic and exciting young producers to a close.
It was only late last year that PIFF Records dropped their first release ‘To Adelaide’, showcasing a wave of up and coming Australian producers. Now, the UK based record label welcomes Berlin-based Jesse Bru as the sophomore member, furthering the label’s ambition for musical exploration in dance music.
Piff Records continues to unravel its catalogue by calling on an artist slightly closer to home. Cardiff-based Harrison BDP adds to his already prolific discography with an EP that spans from mellow dub techno vibrations, all the way up to wide-open, rave-driven acid riffs.
Harrison’s A-side revels in a deep pool of soft bubbling synth chords, moulded to the backdrop of tight rolling drum work and occasionally teasing the wider, heavier energies to be found on the flip.
The B side ripples with ricocheting, delay-laden soundscapes, rock-solid drums lines, and nostalgic lead synth lines that make you glad that you’ve caught on to this talented producer early on in his promising career.
Still reeling from their sought-after Ross EP on the hugely respected Natural Sciences label, Warren Raww present the To Adelaide EP, the first release on the newly founded, Bristol-based imprint, Piff Records.
The Adelaide duo have produced a 12 that ups the energy of their July EP, whilst still delivering on their own brand of melodic, synth-laden house music. This time flanked by comrades Arthur Miles and Freddie Norwood, they add to the already high volume of talent currently emanating from Australia.
The A1, 9 On Court 3, plays on the more low-end driven aspect of Warren Raww’s production style, with an off-kilter bass line bouncing erratically over the top of the slightly swung, punchy percussion, topped with a spaced-out, saturated synth palet. Fans of Kyle Hall’s From Joy and the deeper end of Lobster Theremin will resonate strongly with Neighbours, a more relaxed, broken number, augmented with small piano runs and sewn together with a contemplative chord progression asking of the listener a more emotional nuance.
On Jessica’s Place, Arthur Miles strips down to lay the foundations for a tasty, warp-drenched number, complementing his gliding pads with a great selection of raw percussion and improvised synth lines, culminating in a combination of soft and rugged. Freddie Norwood rounds off the four-track EP with Parallel To The Sky, a continuation of the stripped back, broken beat approach. He slowly builds musical blocks bringing in more and more melodic hooks before affirming his dreamy canvas with a welcomed bassline that swims around the vocal sample before the final drum rolls bring the EP to a close.
Rolando Simmons finally gets his first full EP at Analogical Force, and there will be more!. SD series pulses with a beauty and squelchy character all its own, from its foundations up, and we here are excited. For part one, the swedish producer has assembled 5 tracks packed with melody and melancholy, aching pads and grooving, punchy bass. Written by the lakeside, winter will be summer.
Body Unknown is the new project formed by Kwartz (Pole Group, Order&Devotion, Horo) and Qestion (Order&Devotion).
Born from the concept of the duality of mind and body, the project explores states of detachment from physical presence, where the senses become distorted and control over thoughts or actions is lost. Lack Of Skin is the debut Body Unknown release.
Four sinewy pulses for tuned in dance-floors, each track takes an eminent angle to it’s destination, sending resolute signals through a contorted haze.
Body Unknown is the new project formed by Kwartz (Pole Group, Order&Devotion, Horo) and Qestion (Order&Devotion).
Born from the concept of the duality of mind and body, the project explores states of detachment from physical presence, where the senses become distorted and control over thoughts or actions is lost. Lack Of Skin is the debut Body Unknown release.
Four sinewy pulses for tuned in dance-floors, each track takes an eminent angle to it’s destination, sending resolute signals through a contorted haze.
A real Techno / House / Electrosynth Stomper!! "Patrik Book has being in our knowledge since we were kids and listening to his early project AUSGANG VERBOTEN "Entertainment", a real underground synth tape released back in 84 and later re-released as LP by Genetic Music 2004." Enough said, 100% POWER! This wont slip!
Closing the door on what's been a bright year for Beef Records, they tie everything together with a meaty compilation of their 2018 achievements, which have kept up momentum throughout the year with DJ support from the likes of Ben UFO, Eltron John & Herzel, to name a few.
This 3 x 12" compilation is a great way to get stuck into the label or, as an existing listener, to whet the appetite for the next slab of Beef coming in 2019.
Four stunning remixes of Front De Cadeaux by our Fabrizio Mammarella. Comprising Hugo Sanchez from Rome and DJ Athome from Bruxelles, Front De Cadeux serve up three brand new tracks of 4/4 leaning crackling, static dance-mechanics that will fit straight in to your peak time selection. Touching on tribal house at points and the foggy basements of Berlin in others these remixes are joined by Mammarella’s ‘Pedé BPM’ re-work – a gnarly slice of synthetic EBM that was previously only available digitally.
Anthony Linell's latest suite of tracks cruise and drift with their head up. With a dizzy palette of terse and winding melodies, 'Sculpting Energy' feels like another new avenue for Linell on his unbreakable run of EPs. Drone surveillance-style patterns remain intact this time around, hinting at the unmistakable frozen planes of his previous works, yet with the opening track there's the smack of bustling heat, as its title 'Therme' alludes to. The EP's closing piece, 'Vision of the Imminence', presents a familiar sullen theme. Perhaps the measure of his latest work's difference is in the modulating barbed wire-percussion and birdsong- synths that wrap the track's cold core?
Cestrian (aka Ali Renault) lands on Mechatronica for the Berlin label's 10th release with a remarkably wide electro-driven EP, exploring different rims of the genre from the transporting melodic peripheries and weirder edges, to the raw core.
Two hypnotizing journeys in "Gradients" and "Rake & Pikel" make up the A-side along with the frenzied styles of "Cat Strain". "Speak & Spell" blasts open the flip with an anthemic groove and potent basslines, before "The Weir" rounds off the EP in heavy and atmospheric fashion, concluding an essential electro record - for the mind and for the floor.
Canada's Solar Phenomena presents three DJ Sotofett remixes of Tokyo producer Mystica Tribe. With a unique and unpredictable approach, Norwegian DJ Sotofett who runs Sex Tags Mania, Amfibia and Wania opens the remix EP with "Ash of Dub Mix", and as the names suggests, a fat dub with huge rubbery kicks, oodles of echoing hits and a spaced out curiousness that sonically draws inwards. "Dub Lawn Dub" eight minutes strips it back with a meandering top line, whimsical, dreamy and encouraging synths contrasting the rickety drums tumbling below. Lastly, "Dub'right Mix" continues the producer trademark loose limbed and jumbled drums, working into a lather while synths squelches and wobbled pads parallely prospects other dimensions. Heavy deepness with percussive highlights.
"I met Marcell at a gig I played at Karlstorbahnhof in Heidelberg earlier this year, he was serving beers behind the bar all night, it was a fun but not so busy party. The club shut the doors early and we were holed up in this old train station-come-club having a few drinks into the early hours. We sat down, chewed the fat and bonded over Jungle (and UK music in general). Marcell's buddy Phillip was insistent on me checking out his tunes through a small little bluetooth speaker!!! and these sorts of scenarios never quite play out how you'd like them too right?! This one did!" Patrick Conway
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