Conceived at a poignant intersection of Killawatt's existence, the Fazed EP evokes an introverted and pedantic nature, tailored for the individual over the collective. Produced during a period of self-reflection and change, the EP signifies a positive gear selection in the mind-set and approach to sound design and music as a whole. A period of sustained momentum and the challenging of previous attitudes resulted in Killawatt consciously isolating himself from specific negativity in and around him, Through forced positivity, elimination of destructive environments and a more embracing approach to introversion, inner thoughts and sentiments are brought to the fore and expose a rarely seen fragility unaffected by external influence. Remixes provided by Bristol based, Peng Sound boss Ossia and Berlin Atonal favorites Sergie Rezza (DJ Deep & Roman Poncet).
To close out the last of The Space Between Remix Series,we turn over four more prime cuts to some of the freshest producers in the scene. First up, we take one of the most memorable jams from the album, dubwise roller “Backfoot Dub”featuring long time BoS family member the Emcee Child.We turn remix duties over to one of the masters of jungle riddims the mighty Bladerunner.Wasting no time at all, the tune drops into thick amen beats before introducing the ska-tinged horns of the original. From there we go straight into a monster Reese bassline that’s setting floors alight.
Up next, Jaybee & Dave Owentake the delicate “Cartier”and turn it into a rugged liquid roller. Soulful vocals play against the cut up guitar hook of the original as it slinks and slides its way over a tech-fueled bassline.
For our third remix track, we go into the moody “Don’t Hold Back”. For this cut, one of the most promising producers in the North American scene, Flacotakes things deep with a complex blend of pads over crisp claps and rolling beats. One for the sunrise vibes, he keeps the lush vocals of Dylan Germickstrong throughout the track.
To close out the EP, we turn our heads to Bristol as The Insiderstake the tune “Control”into darker territory. Crisp hats ride along the intro as the track builds before dropping into an old school rugged bassline stepper reminiscent of the jungle roots of their hometown.
April sees Bristol bass don Facta drop his first release on Bloc with a storming double A-side, backed up with a remix from PAN and Berceuse Heroique affiliate Beneath.
Facta is one of the most exciting artists to come out of Bristol in the past few years, with a string of high impact releases on seminal UK imprints Idle Hands, Tempa, Wisdom Teeth and Soundman Chronicles. And this latest 12 is no different.
The EP kicks off with Alsatian, a deep technical bass workout that merges the UK template of airtight drum programming and the deepest of deep sub bass with a bump and roll that feels like classic electro… Watch out for the second drop, the subs are absolutely lethal.
Beneath closes the A-side with a stripped back take on Alsatian that reduces the original down to its bare essentials of shimmering drums and rumbling sub bass. A seriously deep remix that is strictly for the bass heads.
On the flip, Scotch Mist is cut from the same cloth as Alsatian, with expertly deployed junglist drum edits and some tasteful sample choices elevating the track into something really special. This has been on dubplate for nearly two years and we’re really proud to finally be putting it out.
Rua Sound is proud to present the Echosystem EP from Lynch Kingsley
The Italian producer continues to carve out a space that is entirely his own. Over four tracks, Lynch lays out an array of rhythms and styles that don't square well with gentrification. In proper Rua style, there's plenty in there for the dnb, jungle, dub and footwork heads to get on with.
Shamrock grew up in the township called ‘Kwathema’, In the east of Johannesburg. He has being crazy for music since he was a young child, and at primary school he sang as the soloist in the choir.
Everyone now knows that South Africa is the house music capitol of the world! Most young upcoming producers look up the American and European producers, But Shamrock’s sound is standing out from the rest, as he’s been digging into his African roots to come up with his own style of music, working with mainly South African musicians, only using the computer to record the audio.
On this album he’s also featured international musicians Han Litz,Flutist from the Netherlands, Asali, vocalist from Kenya, Andy Compton, from the UK, and Jimmy Gabriel on Sax from Nigeria.
His first releases came out on a South African label in 2014.
He’s well known in South Africa for his live guitar shows, normally jamming with DJ’s. This is how he first met Andy Compton, and secured the Peng connection.
Shamrock was a main writing contributor for the fantastic ’Sowetan Onesteps’ project, and after that success he knew the home for his album would be on Peng, which offers his sound to a worldwide audience
So here it is! Enjoy the African rhythms and sun drenched music!.
Written & Recorded in Studio 7.5, Johannesburg, South Africa
Kirkham's newest album comes in the form of a project under a new identity; Mikarma.
The album is a cathartic project for the accomplished electronic musician. A catharsis of emotion coupled with a restriction in studio equipment that leads to new creative means and avenues. Speaking on the reasons of the self-imposed minimal studio set up he states "Sometimes when you have too much equipment wired up it can be overwhelming and you end up just playing around for the most part."
It become apparent that there was a need for the producer to get the best out of his parameters, a process he was already familiar with "When we started back in the 90's we had a minimal setup... and because of that you would get the most you could out of each bit of kit."
Kirkham goes on to elaborate on the cathartic nature of the album "Breaking up in a relationship with the woman you love is a really draining emotional experience, I'm a person who finds it hard to outwardly express my emotions, I hold it in which is pretty unhealthy but i think writing music releases some of the pressure built up. The sad thing is my best work is normally when I'm at my lowest."
Kirkham's newest album comes in the form of a project under a new identity; Mikarma.
The album is a cathartic project for the accomplished electronic musician. A catharsis of emotion coupled with a restriction in studio equipment that leads to new creative means and avenues. Speaking on the reasons of the self-imposed minimal studio set up he states "Sometimes when you have too much equipment wired up it can be overwhelming and you end up just playing around for the most part."
It become apparent that there was a need for the producer to get the best out of his parameters, a process he was already familiar with "When we started back in the 90's we had a minimal setup... and because of that you would get the most you could out of each bit of kit."
Kirkham goes on to elaborate on the cathartic nature of the album "Breaking up in a relationship with the woman you love is a really draining emotional experience, I'm a person who finds it hard to outwardly express my emotions, I hold it in which is pretty unhealthy but i think writing music releases some of the pressure built up. The sad thing is my best work is normally when I'm at my lowest."
Vinyl will feature Individual, hand illustrated sleeves. Distraction combines thundering bass elements from darker techno with deeper, emotive pads and flourishes to create a meditative yet driving late night groove. Best used to hush dance floor chatter in favour of getting heads down and putting a shift in. Static and Choke also play with juxtapositions of light and dark elements, with Choke being the firmer of the two. Both offer sounds ideal for creating trippy and introspective dance floor moments, while not allowing those hard fought for energy levels to drop.
Boracay Drift is taken from the self-titled LP released by Pinch & Shackleton, this release comes with a Morphosis remix on the flip. Originally released in 2011 via Honest Jon's Records. Limited restock.
a. Boracay Drift b. Boracay Drift (Morphosis Remix)
Pop down Shamansbury's, pick up a double pack of Gregorian Chanting. Add water, stir in some Acid and a side of Wonk. Microwave for 2mins. Bingo. Arms aloft fun for the whole family.
a. Unknown Artist - Georgian Monastic Chant (Pill Mix)
b. Unknown Artist - Georgian Monastic Chant (Psychedelic Mix)
New York’s DJ Torture drops a lo-fi acid work out on OS XXX fresh from his limited cassette drop on SWAMP TAPES.. wunderkind Bakground holds it down on the flip with 2 lo fi jungle jams.
martianMan returns with 4 jungle influenced tracks.
A1 “You And Me” is sci-fi influenced drum funk tune. At the beginning only beauty passes through, revealing a place you desire to be. A relaxing environment to come home from work to. Then, an abandoned warehouse in an city like in Blade Runner pumps out a rave. A jungle rave in deep space. Get ready. It’s just You And Me.
A2 “Like A Rebel” has Elvin Jones talking about his drumming. To get you started, jazz piano softly brings you into a smoke filled drum funk jazz club in space. An underlying sense of weightlessness has you catatonic in as the Funky Mule break sets it off and you’re once again nodding your head to the groove. Nice pad breakdown before the outro.
B1 “You Are Here” employs a sturdy intro with a “There are forces in this world” vocal that has you on edge. After the intro settles, before the Amen science drops, you are in a smoke filled, computer generated room waiting for your train to arrive to take you to the party. This is a journey tune so enjoy it!
B2 “Get Dropped” used Black Pearls “Cold Sweat” break. The DJ friendly intro gets you started. A little knowledge about big record labels makes you think some. Then comes the signature martianMan smokey space vibes before the drop. Tune rolls nicely but wait for the rave stabs and niceness pads during the last stretch.
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