Release Date - 9th August 2019

Rudimentary debuts for Itoa and Crypticz as they combine to producer a solid 4 track dub, techno, footwork, ghetto
inspired drum n bass 12”.

Alex Godoy (Itoa) and Jordan Parsons (Crypticz) couldn’t help but cross paths as both their musical influences encapsulate the continuous blur between Dubstep, Drum n Bass and footwork with Dub being the keystone to their musical arch.

Crypticz was sucked into the vortex of the uniquely punch sounds that Itoa had put out and was itching to find out more. At the same time he was pushing the foundations of his on sound, which has Dub.

Jordan (Crypticz) found himself wanting after toying with a few ideas which fell into line with a more dancehall sensibility. He felt the ideas he had, needed something else. He was struggling to put his finger on exactly what was missing, then... enter Itoa’s ‘French Cola and “Peng” releases.

Bingo! Jordans finger was now pointed at Alex’s (Itoa) irresistibly joyous drum patterns, and thought... “This guy”, with the happy egg face as a facebook profile, is the man to unlock this business. The pair hooked up and from there worked on the 31 Recordings “MTD” release for Doc Scott.

After their work together on that beast of a record they wanted to get back to it! Email tennis and facebook chats occurred for some time all the while passing bits and pieces back and fourth. Each time asking questions and encouraging the process for one another.

Street Drinker was the starting point with Alex leaving it open and sparse for Jordan to roll in with percussion. Dub techniques were leaned on to add a techno, dubstep feel to Valis.

An instructional dance video was the inspirational magic dust added to the already grounded baseline and obnoxious claps in “How it’s Done”.

Jordan admits watching too much Adventure Time was the catalyst for the humour concept of this piece. So... ’come ons', 'shake it' and '1,2,3,4' were sampled from various work out videos and the arrangement tidied up from there.

Manatata wraps the release up with a dubby roller with erupts with texture and intricate drum patterns and driving
kick.

a1. Crypticz & Itoa - Street Drinker

a2. Crypticz & Itoa - Valis

b1. Crypticz & Itoa - How It's Done

b2. Crypticz & Itoa - Manatata

Release Date 8th October 2021

Sentinelas is the first album release on Rudimentary Records. Produced and conceived by Irish producer Mick “T-Woc” Donohoe the album is the result of a trip Donohoe took to Brazil in 2014. Built off samples from records bought in a dusty Sao Paulo warehouse, Sentinelas is the unintentional soundtrack to a 1970s Brazilian educational comic book, fusing together hip-hop, electronic music, and dub to tell a strange-but-true story of discovery, antibodies, and cockroach shit dust.

Mistakes and accidents are the lifeblood of creativity. In 2014, Donohoe visited a recently opened warehouse in Sao Paulo nicknamed the Feira de Uma Milhao LPs (the Million LP Fair) — appropriate as the place was filled to the brim with records. Together with a friend, Donohoe began a five-day trawl through 7” records looking for gold beneath the dust. As they packed up to leave Donohoe spotted “a quirky, colorful little comic” and stashed a couple copies among his finds. Back at home, Donohoe found the comics while cleaning and listening to the records for samples. Unable to read Portuguese he imagined its tale as that of a little girl, Tereza, on a space adventure where she encountered robots and aliens. The comics came with their own record, which was missing, and so the idea became to use the vinyl stash to recreate the soundtrack to Tereza’s adventure. That’s when Donohoe coughed up a bit of cockroach shit dust.

The album was created using records, analogue synthesizers and FX, and an existing trove of drums and field recordings. The production process began with the samples from Brazil but as new layers of sound were added these receded in the back of the compositions, becoming a spiritual source rather than defining element. True to its soundtrack intent, the album shifts in moods as it progresses: energetic, calm, epic, disturbing, reflective. Each track details an imagined scene of Tereza’s daring adventure using the universal language of music. Mixed on a Harrison console, created for film and TV work, As Sentinelas is a warm ode to record digging and childhood imagination.

As for how the story ends, it turns out Tereza was never on a space adventure. She was traveling through the body and the colorful sentinelas were antibodies defending her against the invasion of evil looking foreign germs. Cockroach shit dust.