Release Date: 10th September 2021
Love Love continues the new LOVLTD series with ‘A Mirror Touch’ by Klotang, a collaborative work by young producers Klahrk and Otang that dives deep into the hardcore continuum pulling out huge chunks of authentic euphoria. This is rugged and raw old skool hardcore with some truly iconic rave moments, crafted with a fresh perspective - a must have for DJs intent on keeping the vibe alive.
The EP kicks off with ‘Tritium’ a whistling old skool number opening with rumbling subs before the turbo kicks in about a third of the way through. The in-yer-face rave attack vibe gives way to dreamy pads as the track continues perfect for early morning sunrise in the dance. ’Hells Bells’ is a grimier affair hinting more towards modern influences before a 180 degree midpoint switch-up settles on a stomping ’91 era rave rhythm. The final track on the A side, ‘Hyperthruster’, is big sub mover, propelled by a skanking break and vocal chops throughout, laced with darkside ‘ardcore stabs.
As the tempos continue to increase through the EP, cheeky B-side opener ‘Pressure’ brings the old skool fun. A fast and furious dance workout complete with bass bonks and synth squirts. B2, ‘Funland To Dockland’, is a piano driven vintage happy hardcore anthem pulled straight from the early 90s, whilst Rognvald amps up the choppage and takes it up in tempo for the remix on B3. 6 crucial tracks of killer rave material coming complete with artwork by East London graffiti legends Check & Race from A.W.E. [All World Experts].
a1. Klotang - Tritium
a2. Klotang - Hells Bells
a3. Klotang - Hyperthruster
b1. Klotang - Pressure
b2. Klotang - Funland II Dockland
b3 Klotang - Funland II Dockland [Rognvald Remix]
Release Date: 4th June 2021
After over a year in lockdown Love Love launches LOVLTD, a new series of limited records containing the tuffest system boomers and shakers. Focused towards igniting the dancefloor this series is a celebration of rave in all its forms: Acid Stompers & Wonkers / Hardcore Continuum // Heavyweight Bass Flex. All the 12”s are graced with artwork by foundational UK graffiti legends A.W.E ‘All World Experts’ est 1984- most notably Keen and Check.
To start proceedings Romford-born, Bristol-based producer Ben Pest gives us 4 slabs of lysergic bass-bolstered techno. With records on Don’t, I Love Acid & Earwiggle and following recent collaborations with IMOGEN and Radioactive Man, Ben’s style of techno is some of the slickest and dirtiest going, getting played out by the likes of Bicep and DJ Stingray.
A1 ‘Rugged’ drabs a chunky square 303 over strobing flickers of percussion with a kick drum the size of mars, building to an absolute acid-fuelled fervour. A2 ‘On The Three’ boasts a catchy groove reminiscent of mid-noughties warehouse phunk, brandishing cartoony melodies that will put an unhinged smile on the most cynical of ravers’ mushes.
Whilst the A side ends bouncey, the B-Side starts off crushing and trancey with ‘83 Is The Wan’, featuring a catatonic kick drum in a New York club pattern driving through a hazy technoid labyrinth that’ll have ravers weaving spirit entities for many a dance to come. Final track ‘More Horrors’ is a full on, no-nonsense party banger. Weighty old skool techno heft with a deep murky bassline and acid squelches. Techno doesn’t come much fatter or funner than this.
a1. Ben Pest - Rugged
a2. Ben Pest - On The Three
b1. Ben Pest - 83 Is The Wan
b2. Ben Pest - More Horrors
Release Date: 17th April 2020
New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn's music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, John's ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn's drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album "Some Shit Saaink" made with friend Bob (Macc) on Subtle Audio/Rephlex, John"s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom
Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.
*AUDIO TO FOLLOW LATER*
a1. Daisy Takes Two
a2. Lucky Gonk
c1. Robin's Windmill
d2. Turnips Are OK
e2. Invisible Sandwich