Originally recorded in 1981, this album is best known for its tropical boogie bomb 'Let's Talk About It'. Having drawn attention from diggers for quite some time, it's finally available again on vinyl. Besides this killer boogie tune a selection of five other tracks from the album that have remained unknown to most people complete this French boogie / reggae / zouk re-issue.
Burek family welcomes Detroit house don Javonntte into their circle with four infectious house bangers spread across the whole spectrum of the genre. This record has something for each part of the night, from the easy mood setting vibes to soulful bangers and straight up jacking peak time tracks that will make you sweat.
‘Tomorrow’, the opening cut, is the best example of the latter and the track’s vocal sample “strictly underground” is well earned. This pure head-bang house track will give you a run for your money. A side is concluded with ‘Journey’, a proper soulful house track which keeps all of its energy in spite of a slightly more subtle approach.
No One Like You’ is the first one on the flip and is a prime example of just how much soul and depth can a house banger have and Javonntte excels here both as a producer and a vocalist. Closing track ‘Enter The Disco’ is a slower, disco-sampled jam, perfect for that in-between time in the club when the action’s about to happen.
ES-Q already successfully emerged on the scene with the massive club banger 'friend zone' on PXU. With his new EP called enter the system he strikes hard, again 4 straight up dance floor fillers for all the ravers dedicated to bleep!
For his Studio Barnhus debut, Laurence Guy connects the dots between the lo-fi ambient investigations of his 2017 album Saw You For The First Time, the warm club sounds heard on All I See Is Her (last year’s standout 12′’ for Tokyo’s Mule Music), and the London-based dj/producer’s long roots in deep drum’n’bass and dubstep soil. Those roots, always present as subtle rhythmical traces on Laurence Guy records, now appear more explicitly than ever, boosting the typically graceful harmonies and sooty samples of Guy’s music with a new, profound energy. From the unswerving neo-jungle of Wildlife, through My Brain Is A Scrambled Egg with its dusty rave euphorisms, onwards to the hypnotic guitar ballad It’s Good To Try, this six-track EP is chock-full of the sort of unrestrained musical enthusiasm that Studio Barnhus is always on the lookout for. Making Music Is Bad For Your Self Esteem is at once Guy’s most experimental and most personal record yet, an essential addition to both artist’s and label’s catalogues.
In another tight and consistent projection, Paxton Fettel actualizes his assertion for independence, eclecticism and voodoo - with a collection of delightful enchanting vibes.
Familiarly neat and energetic, house beats and crystal-clear chords accord to accompany the melodic dawdling, while insatiable and unbelievably facetious talkative babblings of all kinds stretch out into organic gliding laces.
The purposefully optimistic and spirited atmosphere is the echo of the ceaseless quest for serious lightness, relaxed ecstatic states, truth and wonders.
At the intersection of devoted beginnings and mastered preferences, this EP provides a soothing expression of the reality of change, and acts as the denouement of a true explorative pit stop for the musician - and the listener, always playful, and sprucely yours.
Specifically, Niche Music For Specifically Niche People. Keep Smiling 😊
Vinyl sampler with four tracks from Benjamin Fröhlich’s Rude Collection release including two exclusive new remixes by Swedish sunny boy Axel Boman and Brazilian wonder woman Terr. Plus the cosmic disco treatment of “Dream City” by Zombies in Miami and the percussion workout “Drums from Memory” - on vinyl for the first time.
Copenhagen Underground Posse returns after a snowy, winter hiatus on a slamming four-track tip with the family. B From E traces his video game & trance roots on 'Human Revolution', while S.A.M. (Mandar / Delaphine) sculpts the dreamy chords of the original into that ethereal realm of house, as only he does it.
On the flipside the newcomers bring the action, as Soaked goes heavy with the SP1200 distorted bassline stomper 'Heavy Thoughts' followed by Belmaati with his mesmerizing deep house vibes on 'Deep CTRL'
a1. B From E - Human Revolution
a2. B From E - Human Revolution (S.A.M. Hometown Reshape)
"One in a million beatmakers, but the one in a million kind..." The Århus-born beatsmith extraordinaire Terry Tester's career behind the decks and MPC spans nearly two decades almost solely spent within the world of hiphop. After an unintentional kebab lunch, an immediate musical connection was sparked between the label owner of Copenhagen Underground Posse and Terry, who then dived head first into house music - and what a result!
Having made his label-debut with the raw, bass-heavy roller 'Change Up' included on the V/A 'Liderlige Rytmer Del 2 af 3", Terry now returns to C.U.P. with the EP 'Genealogia', showcasing his unique style of tape drum tracks, warm subby bottom ends and spacey funk melodies.
Maximized horny beats from the Copenhagen Underground Posse! The 2nd ‘Liderlige Rytmer’ compilation featuring a fresh batch of local house heroes. A throbbing, thrilling V/A containing five originals ranging chugging bass beaters, oldschool 909 bangers to beautiful, dreamy groovers.
On this 12” you’ll be introduced to: Terry Tester, Drøm aka. Frits Carøe, B From E, Anders Dahl plus label owners Daniel Savi and Daniel Bruhn J. (aka. Dee Brown) as System D.
Copenhagen Underground Posse presents machine heads Supertonic for the label's second outing. Pure analogue love from the depths of Nørrebro.
Copenhagen Underground Posse (C.U.P.) is a vinyl label and music collective based in Copenhagen, Denmark, dedicated to showing the world what the scene up North is about.
Intergraded is a new label started by Midland to focus on releasing music by new artists; whether unknown, emerging or established but working under a new name. The first release sees Body in the Thames, Peach, Jay and Webstarr help inaugurate the label.
"The idea for the label came about after being sent unreleased music and ideas by a number of artists over the last year. As I plan to focus Graded on my own Midland solo work for the foreseeable future, and with ReGraded occupying a different aesthetic plane altogether, the logical step was to start a new label that could help introduce this music to a wider audience" - Harry Agius aka Midland
a1. Body In The Thames - Silver Threaded Crystal Beads
Coming out of Amsterdam via London, Breach’s Naked Naked imprint has been a platform from the globally lauded producer can launch club-ready material both from himself and his peers.
Having previously released records from Maison Sky, J.Tijn and Viers - the next in an ever-reliable series welcomes back Church and 2020 Midnight Visions affiliate Lorca for his third outing on the label.
Hailing from Brighton, Lorca has garnered a following behind several extolled 12″s showcasing his intricate and spectral brand of UK Electronic music. His latest offering expands on this with three moody cuts that meld eyesdown melodies with sharp, lively drum structures.
‘Creta Kano’ kicks things off with ticking percussion scurrying over a rubbery, tape driven thud. Deft dynamics build depth in the mix as detuned and delayed synth lines interweave to stunning effect.
‘Malta Kano’ then sets more textures bubbling behind bright drums and powerful, melodic synth leads. The Alt version of ‘Creta Kano’ then brings things to a dark and purposeful close. Field recordings gently bleed in and out of focus while more glowing synthesis occupies the foreground. A warped sequence circles in towards the close bringing another insight into the chops of one of the UK’s most dynamic and exciting young producers to a close.
It was only late last year that PIFF Records dropped their first release ‘To Adelaide’, showcasing a wave of up and coming Australian producers. Now, the UK based record label welcomes Berlin-based Jesse Bru as the sophomore member, furthering the label’s ambition for musical exploration in dance music.
Piff Records continues to unravel its catalogue by calling on an artist slightly closer to home. Cardiff-based Harrison BDP adds to his already prolific discography with an EP that spans from mellow dub techno vibrations, all the way up to wide-open, rave-driven acid riffs.
Harrison’s A-side revels in a deep pool of soft bubbling synth chords, moulded to the backdrop of tight rolling drum work and occasionally teasing the wider, heavier energies to be found on the flip.
The B side ripples with ricocheting, delay-laden soundscapes, rock-solid drums lines, and nostalgic lead synth lines that make you glad that you’ve caught on to this talented producer early on in his promising career.
Still reeling from their sought-after Ross EP on the hugely respected Natural Sciences label, Warren Raww present the To Adelaide EP, the first release on the newly founded, Bristol-based imprint, Piff Records.
The Adelaide duo have produced a 12 that ups the energy of their July EP, whilst still delivering on their own brand of melodic, synth-laden house music. This time flanked by comrades Arthur Miles and Freddie Norwood, they add to the already high volume of talent currently emanating from Australia.
The A1, 9 On Court 3, plays on the more low-end driven aspect of Warren Raww’s production style, with an off-kilter bass line bouncing erratically over the top of the slightly swung, punchy percussion, topped with a spaced-out, saturated synth palet. Fans of Kyle Hall’s From Joy and the deeper end of Lobster Theremin will resonate strongly with Neighbours, a more relaxed, broken number, augmented with small piano runs and sewn together with a contemplative chord progression asking of the listener a more emotional nuance.
On Jessica’s Place, Arthur Miles strips down to lay the foundations for a tasty, warp-drenched number, complementing his gliding pads with a great selection of raw percussion and improvised synth lines, culminating in a combination of soft and rugged. Freddie Norwood rounds off the four-track EP with Parallel To The Sky, a continuation of the stripped back, broken beat approach. He slowly builds musical blocks bringing in more and more melodic hooks before affirming his dreamy canvas with a welcomed bassline that swims around the vocal sample before the final drum rolls bring the EP to a close.
Sydney label Doe Dee continues it's exploration of Australia's outer limits with Tred's 'Planet Perth' EP delving into the realm of fast paced electro over 4 cuts. Tred's 2 original tracks explore the mature sonic range of the young Perth born Berlin based producer with '(To)Night' bringing deep driving melodic euphoria and 'S2003's shimmering pads building into a moody mysterious crescendo.
Fellow Perth export Privacy provides the S2003 remix where a steppy half time intro leads the way into a surprise half mark arpeggio rinse-out and Sydney's Jensen Interceptor rounds things out with a full throttle acid mindmelting version of (To)Night
We've been struggling with the follow up on the HELP012 press release: This record is by DJ Sports, it's called Akrasia and has three mixes on it. Costumer support: (plusfortyfive) 26 83 82 39. Sports- & Central-action. Saludos para toda mi gente.
a1. DJ Sports - Akrasia
a2. DJ Sports - Akrasia (Subsidiary Mix)
b1. DJ Sports - Akrasia (Central's Full Remix) (Central remix)
Closing the door on what's been a bright year for Beef Records, they tie everything together with a meaty compilation of their 2018 achievements, which have kept up momentum throughout the year with DJ support from the likes of Ben UFO, Eltron John & Herzel, to name a few.
This 3 x 12" compilation is a great way to get stuck into the label or, as an existing listener, to whet the appetite for the next slab of Beef coming in 2019.
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