Ivy Lab - Death Don't Always Taste Good LP [2x12" Vinyl in Gatefold Sleeve]


Regular price £20.82 (£24.98 Inc VAT)

Released 22nd June 2018

- 2 x 140g 12” vinyl
- Black Gatefold sleeve
- Gold foil text 
- Download card for Wav Files 
- Original Artwork by Megan Dixon / Ora Project 


Innovative Future Beats duo Ivy Lab are set to release ‘Death Don't Always Taste Good’, their debut album proper, through their own 20/20 LDN label.

North London outfit Ivy Lab were brought together out of a shared enthusiasm for experimentations on the fringes of the UK bass music scene. The years that followed saw them go from strength to strength, earning a place in Mixmag’s Top 10 DJs of 2015 and propagating a new generation of hip-hop inspired abstractions housed within the framework of their 20/20 LDN project.

Originally starting life as a trio, the duo of Sabre (Gove Kidao) and Stray (J. Fogel) now find themselves at the apex of the Halftime/Future Beats movement - a motley assortment of actors from across the bass music landscape applying their sonic-heritage to experiments with hip-hop and drum machine electronica.

Ivy Lab invested further in the exploration of this sound with the creation of their 20/20 LDN clubnight. Housed primarily at Brixton’s Phonox nightclub, it earned the characterisation of “ultra innovative” (Timeout Magazine) and a “London standout” (Mixmag).

Minted in late 2015, and borrowing the same raison d'être as its elder sibling nightlife brand; 20/20 LDN Recordings was unveiled with the pseudo-mixtape/compilation LP ‘Ivy Lab presents 20/20 Volume.1’ - described as “Uncompromising, insightful and rather awesome” 9/10 by Mixmag and “Impossible to categorise” 9/10 by DJ Mag. Little over a year (and only 5 releases deep) the label was awarded the title of ’Best Breakthrough Label 2016’ in the DJ Mag Best of British Awards 2016.

Now a galvanising presence in the Future Beats movement, Ivy Lab’s’ 20/20 Volume.1 release and the subsequent follow up EPs were benchmark moments in forging the genre into a pillar of the electronic music landscape. Tracks such as ‘Spooky Dub’, ‘Can’t Say No’ and ‘Peninsula’ all garnered incredible currency, supplemented by showpiece remixes for Banks (‘Fuck With Myself’) and Noisia (‘Tentacles’).

That same currency as bass music figureheads has been embraced by festivals as varied as Glastonbury, EDC Vegas, SXSW, Sonar (Barcelona + HK), CTM Berlin, Dour, ADE, Woo Hah!, Shambhala, Lightning In A Bottle, Lowlands, Origin NYE, Exit and Outlook.  

Ivy Lab head into the horizon not only with an anchored presence at the cutting edge of the bass-music landscape, but also a secured reputation as pioneering label bosses and event promoters in ownership of one of the UK’s most exciting contemporary music brands.

a1. Fortune Teller

a2. Ugly Bubble

a3. Jet Lag

b1. Astral Pirate Theme

b2. Cake

b3. Vanity Fair

c1. A & E

c2. Death Don't Always Taste Good

c3. Snack Time

d1. Calculate

d2. Ozbo

d3. Cadillac


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