Forever cursed with “deep-“ and “tech-house” labels by the press due to decisions taken 10 years ago before he had any idea how this industry worked, Avatism returns mildly angrier than ever before with ‘Ate-Up’, an EP the producer actually started writing during an MDMA-induced lucid dream after Vakant label boss spiked his drinks in 2011. To give his poor soul some credibility, we’ve enlisted AQXDM (Aquarian & Deapmash, fresh from their storming debut on Bedouin Records) and the mysterious Maenad Veyl (Veyl, Pinkman, Death & Leisure) on remix duties.
a1. Ate-Up
a2. Crisis Engine
b1. Alex, Why? (Maenad Veyl Edit)
b2. Alex, Why? (AQXDM Remix)
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Released 8th February
Lovely lush emotive dancetracks full of cosmic! vibes In the opening track, a male soothing voice warns us for a gravitational collapse, and he couldn't be more right! Our new family member, INTIMACY, drags you from one musical dimension to another. His outerworld soundscapes and propelling drum rhythms make you doubt whether or not you're still on earth. Enjoy the trip!
In the search for new sound grammars, Wesqk Coast proposes a linguistic approach to music in which sounds are words, signs. As for a neo-language, informality, contamination, deviations and its gradual normalization trace the dynamics of control and re-absorption of expressive forms.
‘S.T.A.S.H. ?...well, there is no actual meaning behind the title’s acronym, I am interested in its cryptographic potential.. like language, music works through a combination of minor units, capable of unpacking an endless world of meanings...’
When asked to give some thoughts about his work, the reply was a slew of stock images and short quotes: text analytics, psychometrics, data storms, predictive technologies, ethics of psychological profiling... S.T.A.S.H. is revealed through rapid suggestions and music hybrids in which overload of inputs and frenetic absorption re- elaborate into a true personal stylistic mash – today’s media.
The digital ambient vocal pads and sparse rythmics of ‘Generation’ open to implode into the Bertoia-style metallic tones of splendid ‘Tek’, anticipating an album that developes as a continuum. Title track ‘S.T.A.S.H.’ starts from augmented computer game scenarios to collide, in second half, with extra-fast triggered rattling drums – everything reminds of Piteous Gate. Named after the infamous italian politics sex scandal, ‘Ruby Gates’ resonates with its thorny inspiration through a Twin Peaks sample-based sloppy melody and vocal interventions. The dream-like lullaby of ‘Aicha’ tests a different syntactic palette to break the tension and introduce the ancient-futurist voices and nervous rythmics of ‘Cane Rabbioso’. Melancholic and post-modern ‘Estate Nera’ slowly builds up like ambient and dismantles into a futuristic dub – word up.
Rolando Simmons finally gets his first full EP at Analogical Force, and there will be more!. SD series pulses with a beauty and squelchy character all its own, from its foundations up, and we here are excited. For part one, the swedish producer has assembled 5 tracks packed with melody and melancholy, aching pads and grooving, punchy bass. Written by the lakeside, winter will be summer.
Sydney label Doe Dee continues it's exploration of Australia's outer limits with Tred's 'Planet Perth' EP delving into the realm of fast paced electro over 4 cuts. Tred's 2 original tracks explore the mature sonic range of the young Perth born Berlin based producer with '(To)Night' bringing deep driving melodic euphoria and 'S2003's shimmering pads building into a moody mysterious crescendo.
Fellow Perth export Privacy provides the S2003 remix where a steppy half time intro leads the way into a surprise half mark arpeggio rinse-out and Sydney's Jensen Interceptor rounds things out with a full throttle acid mindmelting version of (To)Night
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