Conforce is back on his home label with four more of his richly detailed and hugely atmospheric techno tracks. It's his first release on Delsin since latest album Autonomous back in 2017 and finds him in typical underwater techno territory. 'Celestion' kicks things off with smeared pads and rubbery, dubby drums instantly setting a hypnotic groove. The serene ambience makes it feel like you're deep down in the ocean and various deft sonic details drift by the keep things on the move. 'Vessel' is another fathom deep track with supple drums undulating on the sea bed as beams of synth light things up from above. There's melancholy in the pads that brings a rueful vibe, while 'Zephyr' is more troubled and turbulent thanks to the wet, gurgling synths and darker bass sounds. 'Aerial' rounds things out with heavyweight, rumbling kicks and ominous energy that keeps you on edge, despite the presence of beautifully celestial keys. As ever, it all makes for an absorbing trip.
The Delsin re-issue arm turns its attention to Lost Trax. This EP features four cuts taken from two different EPs, The Saturnian System and Lost Trax 2 from 2006 and 2010 respectively. Saturnian System opens the EP with some acid laced electro slickness. Fluttering snares and spacey synths carry it away into the cosmos, then The Sequel gets much busier. Scurrying lines dart about in manic but funky fashion, with serene pads off setting the high energy drums. Self Destruct Sequence then drops into an urgent, slippery electronic groove riddled with squelchy sounds and rubbery bass all perfectly orchestrated. Last of all, Birth is a nimble electronic house cut with plaintive synths and kinetic drums that wiggle and wriggling through the night sky. This is an EP stuffed with timeless sounds and is another essential reissue from Delsin.
Shlomo takes a step away from his own Taapion Records to return to Delsin for his second full EP for the label. The Parisian producer serves up two of his modern techno jams, a lush ambient piece plus a slamming rework by Tommy Four Seven. Up first is In Absentia: Tome 2, a follow up track to his last EP on the label. It is another cold techno cut with turbulent drums down low and icy, slithering hi hats up top all backed by synths that light up the track from behind with a heavenly glow. Tbilisian Cure is a more abrasive affair with blistered synth lines and scurrying electronics running through the fast and brutal drums. Lali then flips the script and offers an ambient excursion with watery synths forming celestial puddles in the sky. It's a zoned out soundtrack that's the perfect comedown. Finishing off the EP, 47 label boss Tommy Four Seven flips this one into a weightless techno groove that rocks back and forth on the drums as sweeping chords leave you feeling suspended in mid air. Plenty of ground is covered in this one, and all with equally compelling results.
New long player from Manchester's Claro Intelecto. Entitled 'Exhilarator', the 13 track album marks a return to action for the esteemed producer. A cinematic album of icy techno, weighty bass and poignant melody. From plaintive keys and slow motion drums awash with melody to corrugated industrial drums that don't let up, this is a diverse album in both mood and texture. Moments of ambient celestial beauty exist next to breezy and summery grooves while skewed and sludgy acid sits next to serene underwater dub. Stewart's mission to step outside his usual self has resulted in another landmark electronic album. Killer release!!!
New long player from Manchester's Claro Intelecto. Entitled 'Exhilarator', the 13 track album marks a return to action for the esteemed producer. A cinematic album of icy techno, weighty bass and poignant melody. From plaintive keys and slow motion drums awash with melody to corrugated industrial drums that don't let up, this is a diverse album in both mood and texture. Moments of ambient celestial beauty exist next to breezy and summery grooves while skewed and sludgy acid sits next to serene underwater dub. Stewart's mission to step outside his usual self has resulted in another landmark electronic album. Killer release!!!
Route 8 back to his techno project Q3A dropping some heavy grooving tracks! A year after his last release on Delsin, the talented Hungarian producer is back with four more cuts of techno and electro excellence, club tracks that ooze atmosphere and intriguing details. The Nameless Place kicks off with a tense and tangled techno track that is urgent and slick as is hurries on through damp underground caverns. The Very End of You completely flips the script and is a slow motion bit of dub. With only sparse kick drums, the focus is on the cavernous pads that smear in huge arcs as watery droplets and heavenly chords add to the brain soothing effect. Temple of Retribution is back to techno, this time with loose, jumbled percussion and clipped drums cantering along at high speed. Again it's roomy stuff with no real edge, the Deva Station drops into house mode, wriggling drums and distant vocal cries finished off with some classic Detroit keys. It's a high tech, soulful track that closes out a diverse and devastating EP.
Dutch producer and live act Conforce is back with 'Autonomous', a fifth artist album and the latest in his long relationship with Delsin Records. Conforce is Boris Bunnik, a producer who explores the deepest realms of dub, house, techno and electro under many different names. His Conforce alias is where his most club orientated material comes from and this new nine track album finds the Transcendent label boss producing dark syntheses inspired by his hometown and harbour city, Rotterdam, and its automated industries. A masterfully conceptual album that really paints a vivid picture of a harbour as heard from deep down in the depths.
Amsterdam based artist nthng continues to have a busy year. Following up an album on Lobster Theremin and EP on Transatlantic, he now lands on Delsin with three tracks that touch on driving dub-techno and dreamy ambient. 'Oralage' opens with upbeat drum programming and gliding hits that make for a smooth flowing groove. Distant pads add some spacey atmospheres and the production is effortlessly warm and driving. 'A Souls Search' takes time out to drift in the cosmos, with waves of muted euphoria washing over you as you sink into clouds of ambient bliss. Lastly, 'Turn To Gaia' is a dubbed out techno roller, with long legged drums looping down low, reverberating chords adding weight and distant bell sounds charting the whole thing in a harmonic glow. It rounds out a super smooth and seductive EP.
The Delsin c-series welcomes Sawlin for a new EP that finds him in a housier mood than you might expect. After EPs on Ann Aimee, Vault Series and Code Is Law, he has become known as a techno producer, but this proves he can do much more. Opener 'Motion Keeper' is a deep underground affair with swirling pads adding scale to the heavy, churning drums. It's soaked in ethereal pads and will suck you right in when played on a large sound system. 'Easiness Supplier' gets a little more trippy, with mastery synth droplets dancing about above busted, frazzled drum loops. It's edgy and tense builds to a seriously weighty groove over time. Last of all, 'Wired Evening' is a dark, gritty dubbed out house cut with snaking hi hats, gurgling synths and menace in the air. This is shadowy and physical house music at its finest.
The ninth release on the DSR-C series comes from Rhine. A new name with his roots in atmospheric techno steps up for his first solo EP. 'De Storm' opens the account with a loose collage of textured drums and scuffed-up synths. It makes for a bubbly groove that journeys far off into the night while 'De Bron' is more rooted underground, with cavernous echo chambers run through by supple bass synths and icy hi hat trails. Spooky and haunting, its a track to send shivers down your spine. Last of all, 'Het Meer' is a watery affair, with aqueous drips and drops, radiant pads and then more tightly coiled drums brushing up against one another to make for something atmospheric but also nicely driven. All three tracks are characterised by a rather tender and reflective mood that makes them all the more unique.
Delsin's re-issue arm is back with a timely release of classic Norken material. Featuring on the EP is the cult 'Southern Soul' - originally released on REEL Discs in 1998 - plus 'More Frequencies' and 'Shifting Towards', two tracks from his 1999 album 'Soul Static Bureau'. Norken, of course, is Lee Norris, best known as Metamatics and a producer with a fine discography that takes in proper deep house, sleek minimal and atmospheric dub.
2x12" Vinyl. Delsin's next trick is a debut double 12" from Sentomea, an Amsterdam native, real name Sander Schuurman, you might not have heard of but a real synth freak. Exclusively producing his music in hardware-based live takes, and that gives rise to perfectly imperfect stuff that feels visceral and alive. Often making music with a visual connection, this EP is full of versatile 909 beats and fizzing electronic textures. 'Relative Solace' is up first and is a frosty house trip with bell textures and melancholic strings sounding all celestial and heavenly. 'Wander' is all about a sludgy 909 groove being lit up with bright strings and icy hi hat ringlets as dissonant pads stretch and skew all about the arrangement then 'Fortitude Boogie' has classic Detroit pads, a lovely broken rhythm and a funkateer bassline that makes the whole cut dance and emotional dance. 'Fluid' is more stripped back and clean, with rubbery 909 drums plodding below watery, gurgling synth sounds up top and this most expressive and textural EP closes with the experimental FM synthesis that is 'Matter' with its raw, off beat grooves and glassy surfaces, and finally 'Reminiscent,' a horizontal, star gazing cut that encourages you to lay back and day dream in the grass.
August 2016 saw Running Back release a first volume of live tracks from Redshape, but January 2017 sees the much loved artist return to Delsin, his most regard label, for a second offering of the same. This time the EP has one track made in Paris, and one in London, and both are filled with the sort of beautifully bleak and lo-fi sounds that have made this man such a standout artist over the years. Up first is 'London,' a chugging track that builds in pressurised layers of coarse hi hats, gurgling bass and pinging kick drums. It is a hypnotic groove that teases you as elements drop in and out and hisses of static and broken little guitar riffs add some cheeky funk. On the flip-side, 'Paris' is much more playful, with colourful pixelated melodies dancing about the mix, industrial drums working down low and steppy synths fleshing things out. Overall it sounds like a future disco for inebriated robots and is one of Redshape's more party starting tracks.
After the timely and well received reissue of 'Upekah' in 2013, son.sine is back with new material for the first time in 15 years on the Delsin label.
A maven of slow release, organic dub techno, these new tracks prove son.sine still has plenty to say. Up first, 'A Candle' is a super deep and seductive track with big hits, bouncy drums and rich, rounded synth stabs that hypnotise and warm for nine great minutes.
'An Island' is then a more heady and atmospheric track with propulsive, lumpy percussion, vinyl crackle and textural static that sooths the brain and lowers you into a more reflective state of mind.
Finally, 'A Room' is the most techno of the lot - with wobbly synths, clacking drums and lots of horizontal pads it rolls on and on, deeper and deeper as distant pads evolve from feeling rueful to the edge of unease. It's a masterclass in tension and long form dub music that proves son.sine should have never gone away in the first place.
Delsin's dance floor focussed Inertia series taps up Berlin based producer BNJMN for his Droid EP. It's a whirring fusion of wild synths and thumping drums. It's tough and direct and, as ever, is filled with unusual sounds and textures. Remixes on the flipside come from Cassegrain and Inland.
Ever evolving Dutchman A Made Up Sound is back with a new EP on Delsin a whole six years after his last. Here he proves once more why he is so vital across four cuts of heavyweight technosoul. Thin Air pairs fast-paced 4/4 beats with stormy layered pads, all coalescing into affectional yet powerful techno grooves. In typical AMUS fashion, with its swung drums, sampled chord lines and flanged percussion it's simply hard to categorise but easy to love.
Never one to sit still, core Delsin artist Conforce is back with a brand new EP on his most regular label. North To South Part 1 is the first EP in a two-party story featuring four fresh cuts, it is another deep exploration of musical subtlety and rich sonic design that comes tied to some of the Dutchman's more propulsive drum work. Artwork by Graphic Surgery.
Delsin Records welcomes back Dennis van Gemert aka Area Forty_One for a second EP on the label. It is a second part to the Nocturnal Passions series started back in 2013, and come five years after his first ever release, which was on Ann Aimee in 2011, once again fusing ambient with techno, downtempo and electro. Tip!
November will find Delsin release a new EP from Voiski entitled Breaths Written Outside Gloom that features four cuts of the Frenchman's trademark techno.
Before now he has released solo and with various others on labels such as LIES and Syncrophone and always manages to cook up gurgling grooves and textured tracks that take you deep down the rabbit hole.
Opener 'Downhearted Holidays' is all about a menacing bassline that looms large below jostling metal percussion and frazzled synth lines. It's spare and absorbing, inhuman and bleak in the most inviting way.
'Galaxy Call' is a more energetic affair with squeaking, pixelated and high pitched melodies squealing over a gloomy and gloopy bass line. Militant snares are upright and driven and the result is a track that sounds like the machines are taking over.
'Mathematical Park' is about mid tempo drums, paranoid synth drones and desolate urban soundscapes all run through with a sense of dark futurism and finally
'Answer Silently' is the slowest and swampiest of the lot. A growing sense of darkness permeates slithering synths, icy hi hats and lazy drums and there is a real air of foreboding through this and all the cuts here that make it perfect night time music.
It's been a while since Delsin help launch the career of Italian producer Hazylujah, but now the two are back in action with a special 10" vinyl release.
Massimiliano Vianello debuted on this label back in 2011 and has since appeared on Media Fury, and here he comes correct with two more raw and jacking experimental house tracks.
Few tracks sound as abrasive and in your face as this, and for that reason they once again prove Hazylujah is in a class of his own.
The Inertia sub-arm of Dutch label Delsin is back.
After a series of 4 EPs back in 2012, followed by a mix compilation by Delta Funktionen, Inertia-5 introduces Discrete Circuit with a fierce three track EP that follows up previous releases on DVS1's Mistress Recordings.
The German artists Andreas and Szymon have been working together since 2012 and also promote their own Away parties across Europe as well as running a label of the same name.
Connecting Berlin with Detroit, their EP kicks off with 'Machine Code', a frazzled techno cut with bleeps and alarms, sirens and rusty synths that all make for intense listening.
On the flip 'Recursive Descent' is even more unhinged, with a see-sawing, saw-tooth synth line ripping up frantic hits and loopy drums and getting right into your brain as it does so. 'Compiler' is a more subtle, stripped back and seductive techno roller with supple synths undulating above rooted, rubbery kicks and woodpecker like percussion.
Textured and atmospheric, this EP is one for late night techno loving warehouse crews around the world.
New on the Delsin X-Series is My Home is Sonic, a standout techno, dub and minimal album originally released in 2001 by Icelandic producer Arnvidur Snorrason aka Exos on AE Recordings.
Exos is the son of dub techno producer Octal and released three albums in his career, as well as a swathe of fine EPs on labels like Thule, Mosaic, Slow to Speak and has recently being picked up by Nina Kraviz.
His ability to build great atmospheres and heady soundscapes was unrivalled, and though they bottle up influences, they are always fresh, wintry and compelling. Few have done minimal dub techno better before or since this masterpiece album, so it's right that 2015 sees it revisited by fans old and new alike.
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