In what is proving to be a hectic year BTG are serving up a hectic EP from none other than the Dutch maestro TMSV with remixes from the currently prolific A.Fruit and BTG’s very own head honcho Bulu.
Ritalin Jam is just as frenetic as its name suggests and leads you on a twisted, ADHD riddled journey into cyber space. A.Fruit takes Ritalin Jam and makes it entirely her own with a deeper, darker but just as hyperactive feel.
On the B-Side we have Mountain (Wait Here) which is one of TMSV’s signature 140BPM bits that he’s known and loved for. Bulu then takes what was once a deep stepper and tears it up at 170BPM with a rolling yet broken feel.
This one comes with a warning, proceed with caution.
The 6th vinyl release on BTG sees a newcomer to the label and a relative newcomer to the scene taking the reins. In his short time on the electronic radar J-Shadow has already had releases on Nous Disques, Car Crash Set, PRIME, The Collection Artaud, eatmybeat, Dissident Sound and Dream Eater.
BTG006 sees a full showcase of his sonic array driven by rough bass, ghostly pads, acute percussion and influences from the entire electronic spectrum. Embers is a grimey monster that drives with purpose and energy from the very top, J-Shadows signature sounds instantly invade your ears as the track builds into a weapon capable of destroying any dance floor. The release then swoops down to a grizzly techno-esque stomper, with a slower build than title track “ Embers, The Awakening serves to show off this producers more subtle techniques that allow for an almost 7 minute journey into the belly of a Berlin beast. As if that wasn’t enough the final original on this EP “No Gravity”pays homage to the higher tempo sounds that BTG have been trail-blazing for some time now, a 160BPM pile-driver with murky bass, knifelike breaks and a wonky build that will keep the listener on their toes.
BTG006’s B-Side sticks to the remixing ethos of the label with two legends taking the helm. B1 is a Danny Scrilla flip of the title track Embers which needs no explanation, pure energy from the top and then Etch fly kicks The Awakening into a 123bpm air pumping foot stomping techno track designed to sub bass to destroy tower blocks.
Bun The Grid start 2019 off with an intensely loud bang coming in the form of label co- founder Bulu’s first full outing on his own label. After producing music for 8 years, releasing a full EP on London label Fine Dining as well as his self-released Bulu Sound compilations, 2019 looks set to be a big year for Bulu with multiple releases lined up as well as a full LP in the pipeline.
BTG005 starts out with Fiyah, a minimal yet beastly track packed with relentless sub elements and dominant percussion. Fiyah is quickly followed by Bulu’s first collaboration with label co-founder Etch entitled Collide which is both unique and acute. A slow building intro of Bulu’s ominous synth work quickly gets swallowed up by Etch’s signature off grid percussion until Collide explodes into a barrage of both Bulu & Etch’s influences in equal measures, relentlessly attacking both your ears and chest. Dark dominant zaps and razor sharp percussion are set to lay siege to any dance floor. Bulu finishes off the A-Side with Change Places a 176BPM throw back to wobbly dubstep with a more modern half time feel.
In usual BTG style the B-Side contains solely remixes, this time taken on by newcomer J-Shadow, who is rumoured to have a massive release lined up on BTG in the near future. He takes Fiyah down to a different tempo bracket and plasters his unique sound all over the original elements making the track deeper, and slower building but just as vivid. Finally, one of the early BTG family, and now mainstay at Exit Records, Itoa takes Collide and rips it apart into an entirely new realm which can only be described as Itoa’s unique blend of Bassline, Juke and Jungle, you truly have to listen to this one to understand.
The originals will be released physically and digitally whilst the remixes will be vinyl only.
The debut 12" release from Bulu & Etch's label BTG.
Created as a means to explore styles and sonic territories they may not explore through their own avenues, BTG was set up as a means for complete creative freedom not restricted to tempo style or dancefloor formularity.
Bun The Grid catapults into Fall with its second North American signing, Brooklyn’s Doctor Jeep. After several years exploring the West Coast festival halftime sound, Jeep returns to his love of Bristolian polyrhythmic club tools.
“Vault of Glass” channels underwater atmospherics in a dark, broken- beat, warehouse style, while collaborator and tour partner Fixate joins the fray on “Dorado” - summoning disembodied voices and frantic breakbeats to hypnotize late-night ravers. Switching the energy with a modern DnB-meets-Dancehall vibe,
“Emergency Broadcast Test” features Washington DC’s Cirrus. On the flip, two remixes add an uptempo flavour to “Vault of Glass”: hyper-active juke from London’s Hyroglifics, and a punishingly-heavy hip hop twist from Calgary-via-Detroit veteran Sinistarr.
Early support from J:Kenzo, Fracture, Roska, The Librarian, and more.
a1. Doctor Jeep - Vault Of Glass
a2. Doctor Jeep & Fixate - Dorado
a3. Doctor Jeep & Cirrus - Emergency Broadcast Test
b1. Doctor Jeep - Vault Of Glass (Hyroglifics Remix)
b2. Doctor Jeep - Vault Of Glass (Sinistarr Remix)
A debut vinyl release from Philadelphia’s Gohda. A multi-coloured combination of shimmering grime synth work, spaced out beats that occupy somewhere between the boom bap of classic hip hop, the half pulse of dubstep and the skittering high-end work of southern rap knitted together with a soulful vocal & atmospheric touch not distant from that of the elusive Burial. Gohda’s sound owes itself to both sides of the Atlantic but operates nowhere within them.
The vinyl only release sees remixes from BTG’s very own Bulu, twisting the original into a dancefloor ready terminator & TMSV known for his genre expansive excursions on labels such as Black Box, Cosmic Bridge & Artikal again taking Gohda’s soulful and playful original and turning it into a weighty dancefloor focussed banger.
Not to be missed for fans of genre defying, psychedelic bass-weight.
The second outing from BTG follows, in tradition, their 2 originals and 2 remixes format. This time round TOYC creates a slower paced dance floor obliterator titled ‘Kicks’ sounding like a wonky laser gun trapped inside a broken 808 landing somewhere between broken techno and bass. On the remix Project Mooncircle and 20/20 LDN affiliated Deft deconstructs and reconstructs TOYC’s track into a maximalist beast fusing the current sounds of 160 BPM 170 BPM and halftime DnB with the technical precision of Amon Tobin. Up next the bootyshaking stormer they call Itoa, known for releases on Bad Taste and being featured in storming 160170bpm sets by DJs and tastemakers such as Om Unit and Sam Binga. ‘Snake Pass’ is a classic Itoa track, playful bouncing subs and flickering percussion and shards of vocal, landing somewhere between footwork and booty bass. BTG cofounder Etch sets the pace with his remix of Snake Pass, coming through with a schizophrenic beats influenced sub heavy stepper that slowly evolves into a breakbeat onslaught.
Support from: Nightwave, Sully, Addison Groove, Deadboy, Horse Meat Disco, MJ Cole, Barely Legal, Shadow Child, Amy Becker, Pathaan/BBC Worldwide, Boy 8-bit, Blackdown/Rinse FM, 2 Bad Mice, Synkro/Akkord, Randomer, My Nu Leng, Craig Richards, Foul Play/Moving Shadow, DJ Zinc, DJ Orgasmic/Origami Sound... + many more
![Etch - YoYo Riddim / Ilk - Yes, Ruff (w/ Gantz & Moresounds Remixes) [Repress] - Unearthed Sounds](http://cdn.shopify.com/s/files/1/0488/8057/products/btg001_3245c136-4a71-4134-8ba0-06108393cd15_{width}x.jpg?v=1607033180)
![TOYC / Itoa - Kicks / Snake Pass [w/ Deft & Etch Remixes] - Unearthed Sounds](http://cdn.shopify.com/s/files/1/0488/8057/products/btg002_{width}x.jpg?v=1607053496)