Available: 25th May 2022

a1 Radio

a2 Sunshine

a3 On The Run

b1 MEANDNJB

b2 Mahogany Brown    

c1 Me & My Peoples Eyes (feat Lord Imran Ahmed)

c2 Stoneodenjoe

c3 Joy (feat Taj - part III)

d1 Black Sunday

Available: 24th May 2022

Freerange Records are thrilled to announce the arrival of Crackazat's latest long-player, the scintillatingly soulful and jazz-enriched masterpiece, 'Evergreen'.

There can be few artists to have emerged in the last decade or so who've made a more indelible mark on the deep house universe than producer, Ben Jacobs, better known as Crackazat. The accomplished musician's effervescent productions routinely hit the sweet spot between elemental dancefloor fire and cerebral musicality – thanks to a propulsive sound combining influences of jazz, house, garage, funk, hip hop, Latin, neo-soul (and far beyond). While he's already forged an instantly recognisable sonic palette all of his own, new album 'Evergreen' represents his most accomplished work to date. Making his full vocal debut while introducing a new level of songwriting prowess to his long-established dancefloor credentials, this is the complete Crackazat.

Composed during – and undoubtedly informed by – these trying times, 'Evergreen' explores themes of adversity and gratitude, arriving as both a masterclass in contemplative songwriting and a celebration of musical influences. Elegantly bridging the gap between the soulful house underground and jazz-flecked crossover realms – inhabited by the likes of Jacob Collier, Thundercat, Tom Misch, and Jordan Rakei – the album echoes of a time where jazz-funk sensibilities and popular appeal were not mutually exclusive. Few artists boast the musical aptitude or creative vision to attempt such a bold fusion of styles, and thanks to its exceptional execution and irresistible appeal, 'Evergreen' is primed to introduce Crackazat's sound to an entirely new audience.

'Evergreen' is endowed with a distinctly live feel throughout, with virtuoso musicianship combined with carefully assembled song structures – elements so often missing in the dance canon. “It's the album I’ve always wanted to make” says Crackazat. Soul-heavy vocals – performed by Jacobs himself – are a cornerstone of the collection, with the power and soul of his delivery proving something of a revelation. “By far the hardest part was getting my vocals to a standard I was happy with,” he says. “So I was over the moon when Freerange responded to the first draft with two thumbs up and a big grin.” The album's arrival on benchmark UK deep house label Freerange feels like a particularly natural fit. When, in 2020, Crackazat started posting clips of himself singing alongside live bass and Rhodes, it quickly piqued the interest of the label's ever alert A&R team. “Crackazat really nails the sonic realm where crunchy house beats inspired by the likes of Masters At Work and Mood II Swing meet contemporary neo-soul and jazz-influenced rhythms,” says the imprint's co-founder, Jimpster. “There’s not many that can fuse the two so well and I get a sense that big things lie ahead for Ben. We're very proud to be able to release this brilliant LP on Freerange!”

Blending the purest forms of deep house with authentic jazz sensibilities, opening track 'Beacon Of Light' lays down a tantalising statement of intent – with its combination of live instrumentation, heartfelt vocal, club-ready beats and compelling arrangement offering a vivid introduction of what's to follow. Illustrating the pop-centric focus of the album, 'Everybody Talks About It' explodes with emotion – its searing vocal rising over shimmering pads and bass before building to a horn-filled crescendo, showcases Crackazat at his song-writing zenith.

The deep disco of 'I'm Easy' sees blissful chords glide over weighted bass as the vocal powers across the panorama, bursting with Quincy Jones-inspired horns above delicately woven keys and raw house drums. Nowhere are the album's meditations on hardship more vivid than on the modern jazz ballad 'Simple Things’, This compelling composition blends shades of Robert Glasper with futurist deep house to dramatic effect.

Fusing modal jazz with UK garage, we segue directly into the warm throes of an enraptured dancefloor via the irresistible bump of 'It's All Different', its soulful vocal embellishing a heavy club rhythm as the trumpet solo and Rhodes chords cascade across the horizon. Title-track 'Evergreen' opens with a sprightly jazz swing before dusty drums add body to the sophisticated instrumentation, presenting jazz and house as a single entity as the well-orchestrated wind instruments, keys and mallets dance over an improvised walking bass line. The distant vocal elevates the track into the stratosphere before the arrangement resolves, neatly leading us into the Collier-esque accapella and vintage jazz aesthetics of 'Cedencia', where signature vocal cadences ascend to celestial heights for an interlude that ushers in a departure from the futurist first-half of the album.

Arriving in the funk-infused second act, the salsa rhythms of 'True Power' intoxicate as they propel the Peven Everett-inspired vocal, with driving percussion skipping over live bass and keys before horns add tension to the groove, dissipating for a dub-heavy outro. The scattered, broken jazz of 'Save Something' finds Crackazat and his live band in full effect. Fiercely dynamic while intellectually riveting, the track incorporates Latin energy with understated cool to devastating effect.

Once again illustrating an unparalleled songwriting prowess, the Hancock-esque e-piano solos, slap bass and enthralling lead vocal of 'Nominee For Love' prove spellbinding as they combine, the sing-along chorus interplaying with buoyant horns for an unfettered celebration of life. Maintaining the celebratory sentiment, boogie-themed 'Thank You' arrives as an exuberant outpouring of gratitude, once again marked by breathtaking orchestration and a proudly positive aesthetic as loose-limbed piano solos and boogie bass cement the track's authentic Stevie meets MAW feel. Finally, the immaculate collection comes to a close with the self-nurturing intention of 'Good Enough', where sparkling chords, emotive synth solos and impassioned vocal merge for an emotional modern soul ballad.

'Evergreen' is nothing short of a triumph, exhibiting all the hallmarks of a future classic while propelling Crackazat into stratospheric artistic dimensions. Expertly fusing primal dance magnetism and jazz dexterity with a flawless production sheen, this remarkable album is destined to find its way into the playlists of a multitude of admirers while enhancing this exceptional artist's already glittering reputation.

A1. Beacon of Light

A2. Everybody Talks About It

A3. I'm Easy

B1. Simple Things

B2. It's All Different

B3. Evergreen

C1. Cedencia

C2. True Power

C3. Save Something

D1. Nominee For Love

D2. Thank You

D3. Good Enough

Available: 24th May 2022

a1. Untitled

b1. Untitled

b2. Untitled

Release Date: 27th May 2022

Home Again Records push forward presenting their 4th release, this time welcoming label affiliate Sandilé. The Cologne based artist has become notable for her eclectic sound which is reflective of her background appreciation of broken beat, UKG and the musical essence of London, as well as warm funk and soul. This limitless exploration of genre is perfectly depicted on Home Again 04 which is her debut release for the Berlin label, the EP features 3 originals plus a remix from house mainstay Malin Genie.

The EP kicks off with the fast paced four-to-the-floor ‘Bossbias’, featuring classic house vocals and skippy high hats, interestingly the track originated as a collaboration between Sandile and UKG hero Zed Bias, hence the title reference. Found on the flip side is ‘Sista From Da Block’, a dreamscape of liquid jungle fused with soulful jazz vocals, whilst on the B-side ‘Trayvon’ offers a deeper head-down club track that unfolds inspirational male vocals, bouncy undertones and an
uplifting whistle throughout the body of the track. Malin Genie re-jigs ‘Trayvon’ layering up with some retro feels on the B2 completing the package.

‘Everyone’s now getting back on the dancefloor...house music without dancing and people coming together sure had a different taste. I guess it’s the perfect timing for my first Home Again release, because it sure does feel like I’m finally coming home again!’ – says Sandilé.

A1. Bossbias

A2. Sista From Da Block

B1. Trayvon

B2. Trayvon (Malin Genie remix)

Release date: 27th May 2022

A1. Weirdo (Full Mix)

B1. Original Weirdo 

B2. Imaginary Thugfunk

Release Date: 27th May 2022

A timely reissue of UK house maestro Charles Webster’s heavily sought-after Spectrum EP, originally released under his Presence alias back in ’96. ‘Gotta Be Paid’ sets the tone, a huge deep house number reminiscent of the Prescription/Murk/Shelter Mix camps with shuffling drums, sweet low end and a looping vocal sample. Across the rest of the tracks Webster nods to various strains of US dance music that inspired the British club scene of the era but shows why he is regarded as one of the best in the business. A2 ‘Partyboy’ continues on with the well-swung, punchy attitude, underlying keys seemingly harking back to the bleep days prior to the hardcore continuum. The sound is classier and more refined though, mostly due to the improvement the mid 90s saw in production opportunities and Webster’s clear affinity to the New York scene across the pond. The EP is an exercise in the classic house template of addition and subtraction, yet with all of Webster’s chosen elements oozing quality and nothing ever sounding out of place. ‘Work on Me’ opens the B-side with a big room diva mantra imploring all the dancers to get to work. Simple and totally effective. ‘I Believe’ grooves along ever more subtly, an after-hours burner rounding the 12” off in a wide-eyed romantic fashion.   

A1. Gotta' Be Paid

A2. Partyboy

B1. Work On Me

B2. I Believe

Release Date: 3rd June 2022

Using his royalties made through his Vinyl Fanatiks and Amen Brother releases, Lee X-Plode bought some new studio equipment and took time out to learn how to use it. When he reappeared some months later he sent me a zip of some insane acid breakbeat tracks, telling me this was the sound he always wanted to create. I was blown away by the quality of the tracks, the energy, the way the music took the listener back to the raves of old. It had everything, and more.

They couldn’t be left on his hard drive, the world needed to hear these tunes, so I set myself a challenge to create a new label that would accommodate this kind of music and to share it with likeminded souls across the planet. So Acid Boom was created, a label that deals with the raw acid vibes!

Acid Boom is a sister label to the Vinyl Fanatiks family. A vehicle to release that early 90’s acid sound that would later morph into rave. High energy 303’s, 808 and 909 drum machines, synced up to rolling breakbeats. Whether music from back in the day or new music that’s been created to emulate that early warehouse sound, Acid Boom is here to take you on a rush.

a1. X-Plode - Xone

a2. X-Plode - Alcyone

b1. X-Plode - Screature

b2. X-Plode - 2CB

Release Date: 27th May 2022

Dan Kye is the mysteriously evoked moniker from multi-instrumentalist, producer, and vocal sensation Jordan Rakei. The New Zealand-born artist - who now resides in London - presents his first long-player from Dan Kye, ‘Small Moments’, on Bradley Zero’s Rhythm Section INTL. An ode to the dancefloor, the musical project was born out of Jordan’s lockdown experience, created from the comfort of his own home. Recorded with just a laptop, extra live instruments and guest musicians, ‘Small Moments’ seamlessly transcends across electronica, jazz and funk, with each genre being effortlessly fused with Jordan’s melancholy vocals. Allowing himself to push the boundaries, Jordan’s Dan Kye moniker draws on the energetic and uplifting elements of house and techno and perfectly mixes it with the sultry vocals and emotion that come with the live elements we know and love from Jordan Rakei. The record offers listeners a journey through more floor-heavy tracks such as ‘Mogeri’ and ‘Raro’ to more groove infused offerings such as ‘Rainbow Road’ (which is named after one of the maps in Mario Kart and inspired by the energy of Prince’s iconic live concert at The Aladdin in Las Vegas), whilst tracks, like ‘Sober’, take on a more lyrical and anthemic feel.

a1. Dan Kye - Mogeri

a2. Dan Kye - Rainbow Road

b1. Dan Kye - Sober

b2. Dan Kye - Fever

c1. Dan Kye - Moving

c2. Dan Kye - Focus

d1. Dan Kye - Actually

d2. Dan Kye - Raro

Available From: 13th May 2022

a1. Golden Brown (22 Medley)

b1. Piano Rock ft. Fish Keys

Release Date: 27th May 2022

Slide into summer with the Numbers repress of Kornél Kovács’ Radio Koko, available in vinyl for the first time since its original release in 2015. Radio Koko revives a dream radio station where music never sleeps and the hits keep coming, a soundtrack for both sweaty nights out and laidback beach BBQs. Listeners will already be familiar with the irresistible curveball house hit Pantálon, the Reese + Mentasm riffs of Gangsta, the jacking Lighthouse and the ecstatic/melancholic soundclash of Malon with Marcus Price. Coming on the heels of Kovács’ solo albums The Bells and Stockholm Marathon, this repress is a timely reminder of the prominent producer and DJ’s festive musicality and party-starting approach.

A1. Lighthouse

A2. Gangsta

B1. Malon (ft Marcus Price)

B2. Pantalon

Available: 29th April 2022

House and techno purveyor Ejeca delivers with a high-octane release, ‘Keep Climbing EP’ on Needwant Records, which celebrates 100 releases. The four-tracker is available on a limited run of vinyl.

From its inception, Needwant has focussed on pioneering the sounds of tomorrow, developing exciting artists in the world of crossover dance and electronic music including lau.ra, Kiwi, and Ejeca, who first released on the label in 2013.

The title track kicks off the EP with serious force; heavy kicks and a glitchy melody loops hypnotically before making way for the track’s commanding vocal which is equally entrancing. Like its title, ‘Keep Climbing’ builds and builds, generating full-throttle energy that is finally erupted after a euphoric piano breakdown. ‘Vader’ reduces the pace and deepens the mood with a deep humming bassline, twinkling chords, and eerie strings. A breakdown follows with Ejaca’s signature ravey piano-lines in combination with hooky top-line vocals that seamlessly takes the track into peak-time party territory. The track is dynamic, enthralling, and highlights the depth to Ejeca’s production.

‘Won’t Beat Me’ is colourfully uplifting from the offset with bright piano and arpeggiating pads shimmering in tandem. The vocal is contagiously catchy, topping the instrumentation with positive energy which is present throughout the track’s duration. ‘Won’t Beat Me’ is a peak-time club big-hitter. Rounding off the EP is ‘Zyfer’ which boasts uncompromisingly chunky kicks and raw industrial echoes, before cleverly switching to a contrasting sonic soundscape in true Ejeca style. 8-bit arpeggiating chords bubble before warping into a driving club melody which dances on top of the heavy-hitting kicks and groovy percussion.

The EP perfectly captures the ethos of Needwant; forward-thinking music with innovative ideas from an artist who contributed to the label in its early stages. 100 releases on and Needwant continues to push the sounds of tomorrow in slick style.

A1. Keep Climbing

A2. Vader

B1. Won't Beat Me

B2. Zyfe

Available: 29th April 2022

7 years after debut album “Universes” on Ninja Tune, Seven Davis Jr. returns with the official follow up titled “I See The Future” on his own Secret Angels imprint.
The 11 song adventure provides a fun concentrated blend of deep house, soul, disco, funk, electronica and underground textures. The album brings together Sev’s different flavors into a finely aged familiar yet new atmosphere.

First two tracks “Records” featuring L3ni (member of Natasha Diggs Soul In The Horn collective in New York) and “U Already Know” featuring bassist Neil White (half of Canadian Rock duo The Carps), were originally produced in London early 2016 at a studio provided to Jr. by Domino Publishing located in the basement of a run down home rumored to formerly belong to The Rolling Stones.

Title track “I See The Future” was produced in Houston Texas early 2017 and features fellow Texan Oye Manny (Sure Shot, Secret Angels), who co-produced the track. “Figure It Out” featuring LA soulful house DJ Juliet Mendoza (Dusk Recordings), was recorded early 2021 post-lockdown. While “Escape The Matrix” was a demo produced around 2013 then reworked in 2020.

“Share Your Toys” featuring Toribio (front man of NYC live band Conclave), “Boys & Girls” and “N’Joy” were all produced in Los Angeles late 2019 pre-covid. “Mission Completed” was produced during 2020 in Seattle Washington, where Sev spent lockdown. “Let’s Travel...” the most recent of the recordings, was produced in Houston Texas over the summer of 2021 in a hotel room during a road trip.

Closing track “New Life, Who Dis” was produced in early 2019 and has a different origin. The moody instrumental was first made for a celebrity that Sev had been invited to ghost produce for. We cannot mention said celeb (because, NDA). After many sessions it became clear the celeb only wanted criminally watered down and copy cat ideas. So Sev respectfully declined the invitation and decided to save this track for something special.

All vocals were recorded between 2020 and 2021 after Sev recovered from Covid, gratefully with no long term damage. A situation that caused him to retrain his vocals and breathing skills. An experience that he considers to have had a rejuvenating effect on his life.

“The album’s called *I See The Future* because it’s mostly a collection of songs I’d been keeping in my vault for whatever reason. Instrumentals I’d been really sitting on, letting cook longer than usual. Songs that needed more time, in this case years, to form. Usually it hasn’t taken too long to get ideas out but for this project I wanted different results. Plus so much happened in the world it’s made me become a different person/artist. So my process is different. All in all it’s fun uplifting vibes about enjoying life and moving on to better, hope people pick up on that. ” - Sev

A1. Records ft L3ni

A2. U Already Know ft Neil White

A3. I See The Future ft Oye Manny

B1. Figure It Out ft Juliet Mendoza

B2. Escape The Matrix

B3. Share Your Toys ft Toribio

C1. Boys & Girls

C2. N'Joy

C3. Mission Completed

D1. Let's Travel...

D2. New Life, Who Dis

Available: 29th April 2022

Legit vinyl re issue of Kerri Chandlers 1996's seminal 'Trionisphere EP Part 1' on NYC's King Street Sounds.

This is a discogs holy grail but this newly re mastered version will sound better than anything else! Pressed with original 1996 artwork.

Expect many more King Street Sounds re issues in the pipeline...

A1. Tribe Of The Night

A2. The Beginning

B1. Keep Me Inside

B2. All About Love

Available: 29th April 2022

4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The fourth edition of the series pays homage to one of the most loved names in house music – Sandy Rivera. Known for his soulful dancefloor cuts he has produced timeless classics, with his long-lasting career and multitude of aliases captured by this 12” release. Opening the A-side is the Moodymann Edit of Kings of Tomorrow’s ‘Fall For You’, featuring the stunning vocals of long-time collaborator April Morgan, followed by Sandy’s grooving ‘Come Into My Room’ which features LT Brown. On the flip is Soul Vision’s ‘Don’t Stop’ with its atmospheric strings and gospel vocal. The release is closed with Kings Of Tomorrow featuring Elzi Hall ‘Show Me’, an atmospheric club cut that shows the versatility of this house legend.

A1. Kings Of Tomorrow featuring April ‘Fall For You’ (Sandy Rivera's Classic Mix - Moodymann Edit)

A2. Sandy Rivera featuring LT Brown ‘Come Into My Room’ (Take It Back Mix)

B1. Soul Vision ‘Don't Stop’ (Remix)

B2. Kings Of Tomorrow featuring Elzi Hall ‘Show Me’

Release Date: 27th May 2022

After a journey to the Oasis revealing past, present and future structures in a musical dialog, Fred P embarks on a interstellar voyage into the otherness with Abstract Soul. This is the follow up to short story introduced back in 2020. The concept is simply to bring the essential out of the void and present a thought provoking energetic with rhythm, energy and vibration to inspire forward thinking harmonics to an ever changing world.

a1 Galactic (Intro)

a2 Motivated Inspiration

b1 Destinations

b2 If You Work It

c1 Gonna Love You

c2 Sustainable Love

c3 Beauty And Peace

d1 The Source Of Happiness

d2 Good Vibrations (Fred P Reshape)

d3 Psychedelic (Outro)

Release Date: 22nd April 2022

Sally C returns with her long-awaited second release on eponymous label Big Saldo's Chunkers.

Led by the cult favourite 'Let's Get This', Big Saldo's Chunkers 001 was a runaway success, demanding two represses, both of which sold out within a week. Former BBC Radio 1 legend Annie Mac was a key champion of the record, hosting Sally for a ‘Homage to Hip House’ Mini Mix dedicated to Black innovators such as Fast Eddie, K-Hand and Tyree who inspire her so much. When gigs returned in summer 2021, the EP received a second life with support from the likes of TSHA and Kevin Saunderson, among others.

BSC002 continues on the same straight-up chunky tip that has become her trademark. 'Give it to Me' pops on the A-Side. Emotional and euphoric in equal measures, it brings the Big Saxophone Energy across seven thrilling minutes, as Sally omits the bass giving the sax a chance to shine alongside her signature rolling percussion. Lock this one as a summer 2022 anthem.

A much-requested track I.D at gigs over the last year, 'Downtown' kicks off the B-Side and opens with a question: 'Do you wanna dance?' And of course, we desperately do. It’s the very embodiment of a Chunker with its cool vocal, banging bassline and rolling drums. This is the ultimate all-rounder, good for opening, closing and peak-time moments. 'Nasty' does exactly what it says on the tin and hits with slamming kicks, funky breaks and Saldo's own nastiest bassline on record.

Excitement has been building for this release since Sally included all tracks on her lauded RA podcast last summer. Additionally, all BSC002 cuts went down a dream at her Panorama Bar debut in October and were clear standouts of the set.

A1. Give It To Me

B1. Downtown

B2. Nasty

Release Date: 13th May 2022

Bristolian DJ and producer Gallegos is fast becoming known in the underground for his truly unique blend of hard-hitting house and rough and ready sampling. With releases on Moxie’s ‘On Loop’ imprint, London based party and imprint ‘Feelings Worldwide’ and a pivotal EP on ‘Holding Hands’ in 2021 that brought him adulation from Avalon Emerson, Eris Drew and Octo Octa to name just a few.

The sample wizard now makes his debut on Baby Rollén’s Slump Recordings label, a year in waiting due to the severe delays with vinyl pressing plants, this miraculous musical journey sees the light of day. Having collaborated on numerous releases together, Gallegos releasing on Rollén’s Slump imprint was destined to come soon.

Spanning from the crunchy house grooves of 'Faulty VHS Chewed My WWF Tapes', to the unbounded rave energy of 'Westfest Windmills' with a driving upbeat pulse, Gallegos also spoils us with his long-since unreleased hip hop production ‘Only The Lonely’. The record spans across genres with ease, all with the distinctive Gallegos sonic to them.

a1. Gallegos - Pump Up The Sound

a2. Gallegos - Faulty VHS Chewed My WWF Tapes

a3. Gallegos - Only The Lonely

b1. Gallegos - Westfest Windmills

b2. Gallegos - Warm Grass With Friends

Release Date: 13th May 2022

Ryan Aitchison otherwise known as Mella Dee teams up with Craig McNamara (Last Magpie) under their Craig & Ryan alias - previously seen on one of house music's hottest imprints - Warehouse Music as Jeff & Ryan - here they delve into the dungeon and come up with a selection of disco-edit-wonky-house and rave cuts designed for all people on all dancefloors.

a1. Craig & Ryan - Funky Pigeon Dance

b1. Craig & Ryan - Skelter

b2. Craig & Ryan - Try

Repress Release Date: 20th May 2022

Nathan Micay is pleased to present the next re-issue on Eternal Schvitz: Mouvement Perpetuel - Sexuel Mouvement, three incredible dance cuts written by Jerome ‘Pacman’ Elia. Originally released on Obsession Music in 1997, the A-side went on to become a cult favourite after appearing on Sasha & Digweed’s North Exposure Expeditions mix in 1999. Since then, copies of the original 12-inch record have sold for astronomical sums. Now, over 20 years later, this gem is lovingly restored and available to a new generation of DJ’s and music lovers.

As always, Schvitz gives back. From any profits raised, 60% of the cut to the artists and ensuring their credits are front and centre. The remaining 40% of profits will go to aequa, a Berlin-based collective with a focus on empowerment of women, trans and non- binary folks through gatherings for interpersonal exchange. Schvitz is Love. Schvitz is Communal.

a1. Mouvement Perpetuel - Sexual Mouvement

b1. Mouvement Perpetuel - No Sound Effect

b2. Mouvement Perpetuel - Coop 8 AM

Release Date: 13th May 2022

Next up on Dansu Discs is Paris-based, Chevals with his ‘Blueprints’ EP. Delivering the full listening experience, this EP takes us through what can best be described as ‘open to close’. Warm electronic delights to peak time electro hitters.

a1. Chevals - Afterparty

a2. Chevals - My Love My Kisses

a3. Chevals - Put Your Faith In Me

b1. Chevals - Keep Hitting

b2. Chevals - Burning Out These Fires

b3. Chevals - Bounce With Me

Release Date: 22nd April 2022

East Coast Love Affair is back for summer banger season, we have cooked up some utter beasts in the Athens of the North studio.

Side A is of Roy Ayers classic 'Chicago' that's been getting huge love on the dance floor, an acid house beast that's going to smash it for the rest of the year.

On the flip we have gone mad epic with a 13.31 track featuring Crystal Winds that's just builds and builds, we have had epic responses to this at the club and excited to finally share it with everyone,

Have fun on the dance floor x 

a1 Chicago

b1 Back on You (feat. Crystal Winds)

Release Date: 6th May 2022

Desert Sound Colony debuts on UTTU with 4 tracks of high-octane, data dump fuelled club trax!

a1. Infinite Strikes

a2. Extreme Meltdown

b1. Another Fish In The Pan

b2. Big Jason & The Fruit Fly

Available: 22nd April 2022

Our family members Dandeloo and Lamalice finally join forces for their first vinyl release on Sentaku, perfectly embodying legendary Onogawa Kisaburō's spirit and energy. Famously considered as one of Japan's most gifted sumo wrestlers under Tokagawa's reign in the Edo period, he was one of the few to match Tanikaze's skill and reputation.

Dandeloo kicks off the EP with 'Infinite Path', a powerful rhythm perfectly meeting midway between a soothing comfort and an aggressive storm, followed by Lamalice's 'Annihilation', which pretty much describes itself! Starting the B-side with 'Onogawa Kisaburō', an exploding rhythm that dazzles at every encounter, exactly like the wrestler would in the sumo ring. Finally, Dandeloo closes with 'Dream Machine', a nostalgic and emotional track symbolising Onogawa's skills and perseverance over the years.

A1. Dandeloo - Infinite Path

A2. Lamalice – Annihilation

B1. Lamalice - Onogawa Kisaburō

B2. Dandeloo - Dream Machine

Available: 22nd April 2022

Ruff Stuff Music returns with its first release in four years this March, the project sees label head Ruff Stuff releasing material from himself and three other artists, all of which come from the same town, have been friends from many years and share the same love for a particular style of house.

With the ‘70024 Beats Roots Vol.1’, Ruff Stuff welcomes onto the various artist package his ex Ruff Stuff production partner, now producing under the name of Flaze, Bress Underground and Toysin who debuts this moniker but is also known for his Techno material under the guise Earwax.

Flaze’s ‘Resolve’ leads the release and lays down an amalgamation of hazy chords, bumpy bass stabs, wandering strings and stuttering vocal chops atop a swinging drum groove. Bress Underground’s ‘I Bet You’re Wond’rin’ follows next and retains a similarly deep aesthetic, fusing ethereal pads, gritty bass stabs and bright piano sequences with crunchy shuffled drums and cut up vocal lines.

Label boss Ruff Stuff opens the flip-side next with ‘Gut Feel’, bringing a more vintage tinge to things via organ hits, cinematic strings, circling fm synth lines and squelchy acid licks. Toysin’s ‘You Don’t Pass The Exam’ then rounds out the release on a disco house tip via looped and chopped funk-guitar licks, vocal chants and weighty subs, while a weight 4/4 drum groove further fuels the energetic, peak time feel. 

A1. Flaze – Resolve

A2. Bress Underground – I Bet You’re Wond’rin 

B1. Ruff Stuff – Gut Feel

B2. Toysin–You Don’t Pass The Exam

Available: 22nd April 2022

Our 8th release brings you a new alias by the Parisian producer Ilyes: Dj Nina. He delivers 3 mood setting tunes with Etienne on the remix. 

A1. Pop Xan

A2. Back To The Wa

B1. Melancholia

B2. Back To The Wa (Etienne Remix)