Hearse are back with their 3rd emission and there’s no letting up. Another cluster of dark electro tracks from some great producers. First up is Miami’s Exzakt & BFX collaborating for the electro bass stormer ‘Raw’. Next we have Hamburg’s Kluentah serving up the bunker style ‘Jungle Juice’. On the B side is Gothenburg’s electro don Luke Eargoggle with acid electro beast ‘Olympia’ and closing the ep is the mysterious Amboss with a track that’s like a crack to the face with a bream ‘I want to live in my car’. You know the drill, 300 copies, screen printed sleeve. Once they’re gone they’re gone.
An assemblage of production across labels such as DEXT, Fabric/Houndstooth, Sound Pellegrino and his own GUNNER imprint has seen Troy traverse a multitude of tempos and club conditions. Paving the way for his debut EP on Only Ruins, ONRU004 is a luminous four-track 12" that exercises a complex and heavy-duty sound design.
As premiered by Saoirse on BBC Radio 1's Residency, Croak inaugurates the EP of post-apocalyptic effects-chains, exploring a twisted warfare of dancehall mutations, channelling synthesis through the belly of the beast.
Swede Get Spun is a contorted-tool, pacily worm-burning with nose tingling bass that gallops to the pulse of horse lasagne.
Championed as an opening track in the sets of Batu, Knee Slap is a claustrophobic coalition of intricately cut kicks that combat a playful sub-low and hyperspeed snare stabs. Widely known for his collaborations with Joy Orbison as 'CO/R', Manchester's Herron (meandyou/Peder Mannerfelt Production), morphs 'Knee Slap' into a leviathan of scurrying dread and paranoid panic for darkened dancefloors. You'll want to keep your shinpads on for this one.
All profits are being donated to Anti-Racism charities.
Fiedel launches SUPER SOUND TOOL, a series that puts BIG SOUND before BIG NAMES. SUPER SOUND TOOL, the new FIEDEL II sub label, is dedicated to perfectly crafted, yet playful, techno tracks for those DJs who still mix vinyl in the club.
Already crafting an exceptional body of musical works, over a trio of albums and numerous EPs, Bergsonist tees up a release for Hypercolour that melds meditative ambience and cosmic electro over four cuts.
Hot on the heels of her last album, ‘Middle Quest’, on the Optimo Music label, Bergsonist opens the release with a collaboration with Missouri based singer/songwriter, Tonina. Three other tracks cover a palette of unhurried and atmospheric head music.
The return of our VA series is marked with the new chapter ‘Freaky Friends Volume 1’ featuring the likes of P.Leone, Nasty King Kurl, Sentient State, Ole Mic Odd, Dj Swagger, and Main Phase.
The Berlin-based label has been going strong since its founder - Australian DJ and producer Dj Whipr Snipr - launched it in 2016, with recent genre-spanning releases traversing acid, house, breaks, and electro from artists such as DJ Bowlcut, Low Tape, Soela, Subjoi, Interplanetary Criminal, J.Albert, DJ Safeword, Anthony Fade, and many more. Nerang now invites six quality artists for its most ambitious release yet to inaugurate the imprint’s ‘Freaky Friends’ series. E-Missions founder and Rekids regular P.Leone leads the way with a thudding breaks number called ‘Parting Currents’. A rumbling bassline is later joined by lush pads and a hammering piano melody destined to rocket listeners into new heights. Following appearances on 777 Recordings and Low Income Squad, Nasty King Kurl is next with a raw sounding ‘Lawless’ - a syncopated cut that blends acid and electro with Memphis rap and R&B.
In fine form off the back of releasing on Hilltown Disco and 99cts RCRDS, Nerang veteran Ole Mic Odd brings a sweaty Ghetto House stomper named ‘Hydro Anthem’ complete with a gritty acid bassline and Pointdexter-esque chopped vocals, making way for Sentient State’s ‘4 Tha Freaks’ which exhibits the New York-based artist’s softer side as he layers lush pads on top of a stripped back electro rhythm for pure euphoria.
With releases on Natural Sciences, Who’s Susan and E-Beamz, Germany-based producer Dj Swagger ups the energy, clocking in with the compilation’s fastest track in a bouncing Chicago House inspired cut entitled ‘The Phone Talky’. Tying it all together, Warehouse Raves and ec2a artist Main Phase’s ‘Get Higher’ is a punchy UK garage track complete with thudding 909 kicks, purring bass, fluttering vocals and rave stabs.
For their second release of the year, Josiah Hartley’s Phuture Shock label welcome up-and-coming Manchester producer Szajna to the ranks; armed with his debut solo 12” ‘M41’ EP.
Already bubbling under the surface of Manchester’s diverse music scene for some time, Szajna has been carving out a name for himself far beyond the city of late - as a producer and DJ with a certain penchant for the broken beat genre. In recent years his productions – largely in the form of unreleased dubs and re-edits - have been making waves on the underground; garnering support from DJ’s across the board, including bruk forefather IG Culture and various members of the Selectors Assemble crew. While last summer saw the Manc resident score a V/A appearance on EVM 128 and James Rudie’s Dance Regular imprint.
Picking up from where he left off in 2019, here Szajna steps aboard the Phuture Shock mothership for his maiden voyage flying solo. Titled after the district postcode of Urmston, where the producer was living at the time he wrote the material herein, ‘M41’ EP renders a snapshot of Szajna’s off-kilter production style within three original tracks; merging the funky rhythmic structures of broken beat and 2-step garage, coupled with a cheeky dose of avant-pop melodicism and altogether outlined by the heavy bass lineage of the UK underground to create a somewhat quirky, genre-bending sound. Alongside the trio of originals, the 12” also includes a remix of the title cut by Barcelona’s finest bruk export Karmasound, who returns to the Bristol label hot off the back of his highly praised debut album ‘La Búsqueda’.
Opening up the set is ‘M41’, a melodic, percussion-laced romp, that bounces along to a descending bassline and bruk beats with a playful charm; before a kaleidoscopic wave of cosmic synth hooks and quivering SFX come to the fore, flaunting the chirpy kind of synth interplay that’s far more in tune with the Scandi disco stylings of Todd Terje, than the jazzier flair of the classic West London sound, yet works wonders. Nestled on the A2 is the dubwise skank of ‘Crunchy Landing’, in constrast a more stripped-down iteration of UKG for the darkest-lit club corners. Marked with an understated use of delay and space, it allows room for a deep, dubby bassline to furrow its way in between slick organ stab riffs typical of the old skool house’n’garage sound, whilst crisp hi-hats and galloping snares drive the rhythm forward, in a way that recalls the frenetic, snare patterns of UK Funky.
Maintaining a slight dub aesthetic, B side opener ‘Spooky’ connects the dots between broken beat, grime and dark garage, in turn revealing a much darker side of Szajna’s sound palette. Built around rugged, syncopated beats, and interjected with ice-cold synth motifs and dysphoric pads, the underside boasts a menacing b-line that channels the legacy of Drum’n’Bass and nods to the early works of UKG innovators like Groove Chronicles and Zed Bias. Finally the EP is brought to a vibrant close with Karmasound’s rework of ‘M41’, who puts a more Latin-flavoured twist on the original; retaining much of the percussive ingredients, whilst spicing things up a notch by adding shimmering boogie synths, jazzy keys and even a catchy vocal refrain of his own, all gliding over a decidedly wonky rhythm, that doffs a cap to L.A’s beat scene.
For the next release on Intergraded we are delighted to present the debut of EM + STAV. For their first release they have distilled their decades of djing experience in to an incredibly assured 4 tracker that traverses electro, broken techno and much more.
cruising from galaxy 2 galaxy with artificial intelligence @ the helm, intergalactic cruise liners have become so advanced that they have developed the ability 2 create their own personalities, feel emotions, and ultimately
*•.¸♡ fall in luv ♡¸.•*
model B0B1-E, aka Bobby Cazanova, falls deeply in luv with a passenger running from heartbreak, looking 4 luv from sum1 who could reciprocate their own
while Bobby knew it could never fulfil this role, it clung 2 the possibility that if it were 2 translate how it felt in the following songs, it may just be able 2 win over their heart
Space•lab records launches its interstellar mission to bring wigglers and warpers from all corners of the galaxy with a V/A made in Birmingham. Adam Pits kicks things off with Real Taste Of Gravity, a rising, trancey journey with a wonderful proggy bassline and synths-a-twinkling. Desert Sound Colony & Dr. Baird combine for the warpy, acid-flecked bassy roller Space Bass Express before Breaka and Adam Pits join for a classy breaks track with bubbling EFX called The Show Must Go On, named after Nic reversed a van into a parked car after setting up the space•lab party where they all met. Inner Zone (Rupert Worthington, Alex Anderson and label head Nic Baird) round things off with their debut release Niaaru - a sunrise weeper for those who like breakbeats with their coco pops.
a1. Adam Pits - Real Taste Of Gravity
a2. Desert Sound Colony & Dr. Baird - Space Bass Express
Stalwart German producer Jackmate signs to Herbert’s Accidental Jnr for his new EP 'Werk' out on July 3.
Having released on the likes of Pampa, Perlon and Playhouse, the veteren DJ Michel Baumann aka Soulphiction is now reactivating his Jackmate moniker - more techy and club oriented, Jackmate first appeared in 1996 and recently resurfaced on a V.A. compilation on Ripperton’s Tamed Musiq.
Here “the Jacker” presents three deep and funky stompers that will take you straight into the summer. On the A side the jolting percussion / kick interplay of the title-track with its boiled down bassline sets the scene perfectly. The warm and jacking groove of ‘Skeletones’ conjures the best loved Moodyman-esq moments whilst the hypnotic melodies of ‘The Clarinettes’ serve to ask why there aren’t more clarinet solos gracing the world’s dancefloors?
Essential CiM (aka Simon Walley) classic, originally released on Headspace Recordings in 1999. Now re-mastered and re-cut on Delsin Records. Crispy and soulful idm-techno in line with CiM's Delsin debut Service Pack released later that year.
Released in 2012, the first ASC & Sam KDC collaborative LP - Decayed Society was part of the beginning of a stretching of each artists musical output. ASC had just released his debut Ambient LP for Canadian label Silent Season to a warm reception, and Sam KDC had commenced his ambient music journey on Auxiliary in 2011 with Marine Light and Symbol 3 so the stage was set.
To say it went well would be an understatement. 8 years later, after a large amount of CD’s sold and a recent vinyl press that quickly sold out the pair have reconvened and created a follow up.
Somewhat warmer than Decayed Society in subject matter and feel, A Restless Mind explores the depths of melancholy, providing a soundtrack to the minds transient drift. With their differing styles complimenting each other aptly, there is a sense of temperance from both that enables the hovering clouds of ambience and defining elements each has created to melt into each other and build a mesmerising motif that binds the entirety of the LP.
A Restless Mind is a soundtrack for contemplation and introspection, something we could all do with in 2020.
After a two year hiatus VARY imprint is back with their third installment called “HiConcentrated Music“ which is a 5 track strong trip through Footwork, Beats, Ambient & R’n’B Bits, produced by Schmeichel in his basement studio underneath the store. Fans of DJ Rashad, RP Boo, post Dilla beat scene to Jordan Rakei should dig this. Comes with another homemade graphic design by Julian Kramer.
Back once again. This one is coming live and direct from Baltimore in the mid 90s. It is the second and final part of the Gargoyle Classics reissues and it’s packed full of juicy juicy dance floor goodness. As with the previous Gargoyle record it is raw as they come. Hitting hard whilst feeling totally impromptu and freestyled as well.
Two of the tracks are reissues from Tony & Don’s Gargoyle imprint and two of them, just like last time are never before released tracks written during the same period. Ten After 3 and Do You Believe (Space Evader Mix) are both ridiculously huge and I’m gassed outta my miiiiiind to bring them to the table for public consumption for the first time.
OK enough of my blather. Go and listen to the damn things yourself and decide if you like them, rather than trying to work it out from reading a bloody press release you weirdos.
All four tracks are produced and sculpted for the club. They want big sound systems and dark rooms.
Close your eyes, hold hands and experience transcendental space flight...
a1. Alienage - I Said
a2. Alienage - I Said (Space House Nebula Nine Remix)
Haunting, ethereal, sublime. This already beautiful composition gets the Roque treatment. No digital, no repress.
The artist has chosen to donate proceeds from this release to Black Girls Code, who aim to empower girls of color ages 7 to 17 to become innovators in STEM fields, leaders in their communities, and builders of their own futures through exposure to computer science and technology.
Cinthie marks a milestone in her career this June with her debut album ‘Skylines – City Lights’ on Aus Music. Berlin’s Cinthie has grown to become one of the most respected purveyors of house music, both as a DJ and producer, in Europe and across the globe over the past few years. Through the numerous imprints she’s headed up, her productions, her soul-infused DJ sets and even her own record store Cinthie has become a driving force in the contemporary electronic music scene. Here we see the culmination of Cinthie’s career, which spans more than two decades, pieced together to make up her debut long player, a tribute to all the things that have inspired her over the years, from Chicago House to New York Garage, European rave, Nu-Disco and years of experience behind the booth and keeping dance floor’s moving. Across the project tracks like ‘Houze Muzik’, ‘Concentrate’, ‘Morning In Melbourne’ and ‘Bassline ‘shine a light on Cinthie’s true love, authentic, soul drenched and raw House music. ‘2k Garage’, as the name would suggest, also nods to her love of the UK Garage sound and cuts like ‘City Lights’ and ‘No One Can Take You From Me’ lean towards Disco influences old and new. Further additions see Cinthie exploring new territories for the album format, experimenting with a downtempo aesthetic on opening track ‘Skylines’, textural electronica on ‘Flashback’ and Acid House nostalgia on ‘Calling’ and ‘Horizon’. ‘Skylines – City Lights’ beautifully showcases the life and inherent passion for electronic music Cinthie has, all perfectly weaved together across twelve compositions.
Danish duo Lyra Valenza (aka Hjalte and Jens Konrad) operates on the outskirts of contemporary electronic dance music. Armed with a playful approach and a patchwork of digital and analogue equipment, Lyra Valenza carved their own space in the Copenhagen scene by genre-blending Jungle, UK Garage, and Footwork into a mix of forward-facing and euphoric dance music for 2020 and beyond. A testament to the duo's unique approach to sound design, they were selected for this year's SHAPE - a platform for innovative music and audiovisual art from Europe.
Lyra Valenza's latest EP, Nightshade Edition, is a package of sweet and dangerous cuts to the taste of dystopian romance. The prime dance floor material hits with metallic percussion and bursts of fluttering synths tuned with just the right amount of trance. From stepping UKG, to lush digital soundscapes, the four breaks heavy tracks are hyper-modern sonic experiments processed through a retrospective haze.
The Nightshade Edition EP is released on Lyra Valenza's own Petrola 80 label. It follows their 2018 debut EP "Scan Deliver" on UK imprint Opal Tapes and an appearance on this year's Kulør 006 compilation.
DJ Haus explores the range of frequencies of the electromagnetic spectrum on the "Return 2 The Source EP”. Electromagnetic radiation and their respective wavelengths and photon energies are put to the test when Jensen Interceptor & SHED collide within the UTTU Omnisphere.
One Records line up part two to celebrate 10 years. Label head Subb-an and Mathew Jonson collaborate on a deep cut with uplifting pads, tight drums and a classic Jonson baseline. Yamen & EDA drop in a 90s inspired dance floor groove layered with trippy spacey top-liners. On the B-side newcomers to the imprint Thoma Bulwer and Anna Wall serve up a hypnotic low end groove, thrashy claps and positive chords on the breaks letting the track breath to then drop back into solid groove. B2 welcomes back label regular Jack Wickham who delivers classic Wickham groove.
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