Gantz debuts on Exit Records with two tracks that set him apart from his contemporaries. This release sits perfectly on the label, Gantz has captured the essence of what Exit Records is whilst also moving his artistry further. He delivers two vocal tracks, Garam ft Amos and Rabid ft. Elif Dikec. Amos is a part of A/T/O/S, a duo with a discography that included an album on Deep Medi, Elif Dikec is a classically trained musician and a producer in her own right.
With this debut album from Lake Haze entitled “Glitching Dreams” the E-Beamz label ushers in a new phase in the labels output. Lake Haze characterises the new direction perfectly and showcases the full spectrum of frequencies to be encapsulated in future releases. Intergalactic space cowboy LakeHaze otherwise known as Gonçalo Salgado has been exploring the territories that can only be described as otherworldly in one form or another since his inaugural release on Unknown to the Unknown way back in 2013.
Think Legowelt jamming with early 90’s “Selected Ambient” era-Aphex Twin. Expect menacing ruffneck electro coupled with introspective space-infected arpeggios built to transport the listener to an alternative, but ultimately bliss dimension. A proper long-player in an era of short attention spans and streaming algorithms. Join us on the journey and embrace the opportunity to get completely fucking lost.
Having established herself as one of Bristol’s most exciting new faces on the scene, local selector Yushh has turned her attention to the groundswell of talent the city has to offer when it comes to the cross-section of bass music with her new label project, Pressure Dome.
Tied together by syncopated rhythms and broken beats, each producer featured brings their own style, tempo and atmosphere. The first release from this new imprint provides a range and depth that reflects Bristol’s musical versatility, from newcomer Syz whose contribution follows highly praised releases on Only Ruins and Brotherhood Sound System, to some of the city’s newest party starters to rise through the ranks.
The journey begins with Syz and Yushh, both showcasing intricate percussion and delicate melodies that roll with energy over subby baselines. On the flip, Mish brings a chugged out, wobbly techno treasure with hints of dancehall rhythms. Mulengasound then bringing the atmosphere and space, perfect for that warm-up transition and Balouu’s playful Egyptian melodies and strong, Arabesque synth-lines close the party.
All five tracks ooze individuality, yet subtly tie together with influences and sounds of a city that naturally nurtures progressive experimentalism. Pressure Dome’s offering is a fine example of burgeoning collective, with like-minded producers set on an uncompromising approach to the broken beat.
Steve Spacek aka Blackpocket is a relentless creative. It's truly woven into the fabric of his soul, create by any means necessary.
The debut Blackpocket project was also the Debut release on Exit Records, a truly family affair as Steve is the older brother of dBridge. The album acted as a signal of what was to come for the groundbreaking label & artist. Any expectation of tempos and sound pallets were treated with a respectful disregard in order to reach another place of design.
Blackpocket now gives us his second offering- ALAYLY, seven tracks that remind us who is the king of electronic soul music, comfortably existing in a space that is hard to deny or indeed replicate.
This is a project fully created via iOS apps. It's here where we will remind you of the relentless creative, one who creates by any means necessary. These iOS tools serve a very direct purpose- they enable Steve to create where ever he is and in turn, he is able to bring life & soul to the digital landscape.
ALALY is another triumph for Blackpocket AKA Steve Spacek and Exit Records.
NUDIBRANCH Presents - Resin. Having previously released on Tru Thoughts and Brownswood Records, this is the next step in the evolution of musician-producer Ratomagoson’s unique sound.
Featured are three original tracks and a remix by Wah-Wah 45 and Forgot Record’s affiliate Hoffy. Infectious guitars, resonant bass and latin percussion are weaved with cuts of funk drums from the MPC, melting the boundaries between sampled and recorded music.
Vienna-based DJ and producer, Heap, lands on Mechatronica White with a radiant and hypnotic vision of forward thinking dance music, assisted by Gamma Intel's menacing slow-burner on the flip. Starting from this release, EPs in the Mechatronica White series will be released via one limited pressing of hand-numbered and hand-stamped white label 12".
For this ninth EP and special "10 Years De:tuned" emission we dig deep into Atypic's, better known as Andy and Ed from Plaid, archives for a couple of rare and previously unreleased tracks written in 1992. On offer two mighty lost classics gradually building into a fallout of immense, beautiful proportions produced by one of the most interesting electronic duos of the 90's and modern times. Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Alchemy Mastering. This 12" is pressed on 180 gr vinyl and 1 track per side to transfer the rough DAT sound at best condition. A separate digital version will be available from the usual digital shops. Stay tuned!
EP number eight of the "10 Years De:tuned" series is centered around the 303 tinged acidic sound. This release kicks off with a new and innovative version of Humanoid's highly ranked and major influential classic acid house cut, followed by a proper rave peak time slammer courtesy of Mike Dred. The B-side brings Luke Vibert's grinding acid funk rhythm to the table, plus the squelchy "Strunkelpotz" produced by the cult duo Air Liquide, resulting in a broader spectrum of acid-referencing styles with the same brain-melting effect! Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Alchemy Mastering and pressed on 180 gr vinyl. Stay tuned!
a1. Humanoid - sT8818r
a2. The Kosmik Kommando - Biosurvival (Mike Dred's Acid Mix)
Naota Matsuda, known to most of you as SJ Tequilla, has released a selection of records over the past few years on Freakout Cult, Bright Sounds and his own imprint, Shot of T. This time he joins Craigie Knowes for his latest EP, 'Sanya'. 2 high-quality house tracks coupled with 2 high-quality experimental/ambient numbers. A record of foot tappers and brain sizzlers!
DJ Haram is a producer & DJ who distinctively ties her New Jersey musical history with more recent involvement in the Philadelphia DIY noise scene, whilst paying homage to her Middle Eastern roots. A close affiliate of New York's Discwoman collective, she is also one half of 700 Bliss with rapper & poet Moor Mother, who features on this EP. Haram’s non-traditional understanding of Islam, paired with a nuanced perspective on folk tradition and mythology, underpins the EP, bringing fantasy and colour to this in-between place. On opener ‘No Idol’, a darbuka rhythm pairs with offbeat claps around a dark synth and a contrasting airy flute melody, illustrating the theme of duality running through the music. The melodies of ‘No Idol’ are revisited in the final track remix, sped up with a classic Baltimore club beat and energetic bedsprings samples.‘Interlude’ is a combination of the sounds and patterns from each song. ‘Gemini Rising's synth is reminiscent of John Carpenter, paired with adarbuka rhythm and war drums that transmit a religious sci -fi horror aesthetic. ‘Body Count’ is propelled by Jersey Club kicks with a distorted drum crunch and ticking rim shot in triplets, and an ethereal melody. ‘Grace (K.O.D.)’ has menacing cinematic stabs that feel like acid raining on the scattered percussion. On the 700 Bliss track ‘Candle Light’, Moor Mother's distorted and doubled up vocal chorus evokes a frantic yet solemn energy as she speaks on themes of life and death.‘Grace’ is an EP constructed through deep feeling, transmitting vital dancefloor energy. It’s music is versatile, imbued with a strong will, personality, and colour.
Audio available soon.
A1. No Idol A2. Interlude A3. Gemini Rising A4. Body Count B1. Candle Light (700 Bliss Remix) B2. Grace (K.O.D.) B3. Candle Light (Instrumental) B4. No Idol (Remix)
Zeta Reticula returns to Mechatronica with a radiant tale of astronomical phenomena and deep-space molecular development - a more than ideal backdrop to the EP's four powerful and diverse electro tracks, built by the acclaimed Slovenian producer also known as Umek.
Following up on his "I Am Mensch" record released on Mechatronica last year, Zeta Reticula takes the listener on a light-speed journey from the earliest organic compounds, past the dazzling formation formation of life, between orbiting double stars - and finally into the unknown, stretching obscurely far-reaching parsec units.
The 4th disc on Young Echo Records is here, and it comes locked & loaded with Jabu re-works from the extended family: SKRS & Jay Glass Dubs at the controls! Pressed to 12′′ with two remixed cuts from Jabu’s Sleep Heavy LP on Blackest Ever Black.
7 years of silence. 7 years waiting. The master of dark simplicity: beat, bass, drift, drone - Mick Harris has re-engaged with his longest running, primary artist identity, SCORN. His first salvo upon return, the “Feather” EP is anything but light. It is the darkest possible bass-weight, a vortex of low frequency into which all light is subsumed. The 3 entirely separate versions of the title track plumb unknown depths with harried atmospheres, reminiscent of Scorn’s earlier days, a time before bass music became a popular movement and Harris was the absolute pioneer in the genre. Bass weight, dub production technique with multiple delay channels, time and phrase morphology and erupting samples keep all 3 variations differing as they decompose. The final track tells a truth of life: “Whatever Is Touched Turns”; and lays it out with pounding multiple bass-lines and the most punishing kick drum in any Scorn track ever. Feather is a return to arms for the one referred to as the Dark Lord of Bass. Scorn lives again. All tracks Created and Mixed by MJ Harris in the Lad’s Old Room B14.
a1. Feather a2. Feather (Wittering Mole Mix) b1. Feather (Ginger Grass Mix) b2. What Is Touched Turns
After previous releases on Gerd Janson's Running Back Records (including 2018 hit 'Tim's Symphony' being rinsed all over by Dixon, Ame & Sven Vath), Younger Rebinds (aka Benny Rodrigues aka ROD) starts his own eponymous label with 2 eclectic summer jams filled with earworm melodies and retro drums right in time for the festivalseason... FUN allowed!
Lovely lush emotive dancetracks full of cosmic! vibes In the opening track, a male soothing voice warns us for a gravitational collapse, and he couldn't be more right! Our new family member, INTIMACY, drags you from one musical dimension to another. His outerworld soundscapes and propelling drum rhythms make you doubt whether or not you're still on earth. Enjoy the trip!
The Men You'll Never See are back once again! Detroit In Effect's classic Unseen EP updated for 2019. Includes the Detroit Electrotechno anthem "R U Married".
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