Proudly presenting the UNITE EP from a producer that really needs no introduction - FRACTURE. This is Jungle, drum & bass, and hat inimitable Fracture 160 bpm magic. This release sees collaborations with Manchester's MC Fox, and from label head Alix Perez. Out 7th June 2019 on vinyl and digital.
Sofa Sound Bristol returns with a double A-side collaborative single after the runaway success of the label's debut various artists compilation 'Sofa King Sick'. This time label boss DLR teams up with two huge talents in Abis and Signal. Abis is no stranger to drum n bass having been one half of the very successful act June Miller and Signal has cemented himself as one the most exciting artists to emerge in recent years.
The fourth single on Sofa Sound once again shows the label's versatility and is another step in label going from strength to strength.
Response & Pliskin lay down a blistering taster to their forthcoming debut LP 'We're All Disturbed', dropping Summer 2019 on Western Lore. Anarchic warehouse rave music for the 21st century.
Basement Records is excited to announce this wicked EP from Roger Johnson which features a rolling DnB 2019 Remix of "In My Soul" plus the Original 93 Mix and another superb 2019 Remix from Chris Spillman.
SATL has already carved himself into the repertoire of drum & bass, something which can be seen through a succession of releases which have helped push him as a part of its more soulful trenches. SATL is a frequent traveler and performer at SUNANDBASS in Sardinia, also taking pride of place within our SUNANDBASS Recordings tour parties, enabling him to debut his music across a wide-ranging fan base. For him to release an EP on the SUNANDBASS imprint comes as little surprise, with the producer already deeply involved with the SUNANDBASS family.
The 'Braveheart' EP is an intricate look into the sounds which build SATL’s musicality – from its title track featuring Dan Stezo, through to digital bonus 'Maj', it pedestals the direction which has enabled SATL to receive such worldwide recognition. The winding pads of ‘Bravehearts’ and the gloomy lyricism of Dan Stezo gives a darker edge to the opening track, whilst 'Acid Trip' is an immersive experience, one with an urgency that catapults you into its first breakdown. 'Low End Theory' shakes through to its core with a stocky heaviness, then 'Maj' (digital only) takes you down a lighter route, one underpinned by its swatches of tinkling percussion.
From beginning to end, SATL takes you on a journey and it’s one with the mechanics that he’s becoming renowned for. Joining SUNANDBASS Recordings once again, it’ll be a welcome addition for any DJ and fan looking to add to another gem to their catalogue.
The new solo project from Jack Stevens AKA one half of SpectraSoul. Under the guise of Workforce, Jack presents 'Late Night Soundtrack Vol. 1' on his new label, Must Make Music.
"Last year I had a chance to work on some music on my own for a bit. I bought some new synths, learnt some new techniques and had some fun writing some new music. This is the first of three EP's that I plan to release in 2019 under my solo Workforce alias, and the banner of 'Late Night Soundtrack’ - a title which hints at the loose concept behind the music; drum & bass for dark rooms, big sound systems, and late nights. I just wanted to challenge myself again, not knowing if I could do it. I wanted to back myself and see where the road might lead."
A True piece of Hardcore History, Reminiscent of the early Rave era, a time when there were no rules. ‘Hardcore’, just before the fruition of what Jungle came to be. Experimentation in Rave music was at its utmost: chopping up 8 Bit beats & breaks re–inventing a fresh Drum Sound, Bassline’s that make your eye socket’s shake, idea’s that followed no rules. This is some of that missing History...
Originally produced in 1992, this was scheduled to be Dlux’s first official solo release on ‘Brain’ records. With lots of hype about ‘The Darkness e.p.’ (Bizzy B & DJ Dlux) 1993, The Fontage E.P. release was delayed, & finally shelved, making way for Dlux’s updated sounds of ‘The Realtime E.P.’ which got released back in 1994 on Brain Progression.
The Fontage E.P. is Dlux’s earliest material to be featured on the ‘Lost Dat’s’ series. The Dat’s have since corroded beyond repair, this was salvaged & lovingly restored & remastered, so this piece of History could get an outing on ‘Existence Is Resistance’.
Don’t miss out on this authentic piece of music history from a true Underground legend!
No time to fuck about. From the T-O-P we have bonafide jungle legend and producer extraordinaire, dubzilla himself Digital teaming up with the master of the low-slung dub-flex Morphy, together with deadly rhythm technician 9 Tails, to bring you the chunky bar-brawl beats and earth-splitting bass quake of 'Rhino Gun' on the A side.
Next up we have the B-boy break extravaganza of 'Culture' by Champa B & QRE8R, slicing up the dance with its switch-hitting drum patterns and warping mentasm riddim in an unrelenting fashion for the pill munchers.
Raw Science (Drum Cypha & Skru) close off this monstrous EP with 'Deicide', a reese-led beast that tumbles along with crunchy sledgehammer breaks and robotic stabs, building into a hectic crescendo of synths and relentless bongos.
Breakage continues his excellent run of releases on his own label with the Liff Up EP. The fourth release showcases the different shades within the current Index aesthetic, confidently showing you can recontextualise definitive jungle and drum & bass sound palettes by avoiding throwback cliches and keeping to a consistently high production value. The label has been a runaway success for Breakage, a place where he can make and release the sound closest to his heart and the results have shown that this is the perfect place for the storied producer.
![Response & Pliskin - We’re All Disturbed [LP Sampler]](http://cdn.shopify.com/s/files/1/0488/8057/products/lorelp02s_{width}x.jpg?v=1557756190)
