Release Date: 17th April 2020

Rider Shafique, Ishan Sound, and Kahn need no introductions. As individual artists and fellow members of Bristol’s Young Echo collective, they are responsible for some of the most crucial music to come out of Bristol in the last decade. We couldn’t be prouder to deliver this powerful message music in these extremely dread times.

In a catalog overflowing with lyrical majesty, “When Shall We rise” is one of Rider Shafique’s most direct and moving missives yet - a critical dissection of the racist foundations of dominant culture - whether UK, EU, or US - and the struggle of the racially oppressed within it. The plea to abandon assimilation into Babylon system, in lesser hands could easily be cliched or flat-footed, but with Rider’s pen and voice it is a revelatory spiritual call-to-arms - there are no saviors coming - we are the ones we’ve been waiting for.

The riddim is classic Kahn & Ishan- uncompromising rockstone mid-tempo steppers that is at once orthodox and utterly, inimitably their own- plucked strings, haunted pipes, pounding kick and heaving bassline in propulsive amalgamation. Straight off the desk, “When Shall We Dub” strips the vocal out entirely, focusing on breaking down the incredibly militant riddim, crafting a dark, roiling ocean of reverb, swells of delay breaking the surface in blackest night.

A closely guarded dub for several years, “When Shall We Rise” is now free to circulate and become the anthem that it demands.

Peace, health, & strength to all.

a1. Rider Shaifque & Ishan Sound & Kahn - When Shall We Rise

b1. Ishan Sound & Kahn - When Shall We Dub

Release Date: 14th February 2020

Okayama’s Tsuyoshi Hamada, better known as Dayzero, launches the new decade’s next wave of ZamZam releases with two sides of 140 sound system wreckers we couldn’t be happier to unleash. Wicked releases on Sentry, Heavy Traffic, Vomitspit, and FKOF have set the stage for this 7” stormer.  Deftly amalgamating influences from reggae, hip hop, and old school dubstep wobblers, Dayzero is a master of momentum and swagger, captured here in dubwise style & fashion.

"Orbit Dub" is a cascade of dirty drums- smashing snares & rusty hats, deep-anchor sub and mid-range wub movement, all of it drenched in reverb, with a snippet of sound tape and siren looping in the distance for contrast.

"Theory Dub" clears the air for a wary view of a dystopian world torn by war and environmental collapse. With an intro cut from lacerating hi hats and test tones, kick and bass double in a pounding minimalist trudge, stopping only to blare distorted horns over an empty, forgotten battlefield.  These are rare tunes that manage to be both destructively heavy and intoxicatingly elated at the same time. Full points in the dance!!

a1. Dayzero - Orbit Dub

b1. Dayzero - Theory Dub

Release Date: 18th October 2019

Continuing the march to 100 releases, ZamZam 75 comes from one of our favorite contemporary producers, Alex Waitoa, the man known as Akcept.  Hailing from Christchurch New Zealand, steeped in that country’s unique sound system culture, with a rep cemented by a string of deep and dread releases on crucial imprints including Amar, Moonshine, Sentry, Modern Hypnosis, and Artikal, we are very happy to offer the next chapter in his already strong discography.  With roots, UK dub, techno, and dubstep as points of reference, Akcept operates in an open space where creativity and personal exploration are paramount.

Murderous on dub for some time, “Cambridge Road” (named for Green King Cuts’ HQ where the tune originated) is a weighty, slyly menacing 140 rocker featuring Akcept’s signature syncopated percussion chops & a slithering, minimalist bassline. A disquietingly distorted hook, pitched & chorused vocal snippets and test tones lead the way through a dark dance equal parts eyes down & wariness - danger lurking around every corner.

“Over & Out” is the secret weapon, a loping, lumbering behemoth of dubwise built for serious Sounds, a stew of filtered hi hat, heaving bass, sampled drum fills, swung shaker, oddly-looped reggae horns, and claustrophobic spaces navigated by cagey reverbs.

a1. Akcept - Cambridge Road

b1. Akcept - Over & Out

Release Date: 6th September 2019

Ever since their debut 7” landed on our doorstep unannounced, we have been captivated by the powerfully understated movements of the duo known as Undefined.  Sahara (keys/bass/programming) and Ohkuma (drums) have deep roots in the Japanese dub and reggae scenes (Heavymanners, Soul Dimension) and operate their own experimental dub label, Newdubhall. Recent collaborations with Kazufumi Kodama (of dub elders Mute Beat), dBridge, and Kabuki are nudging the group further into a spotlight that they richly deserve.

Named for the 3-feel of its colossal groove, “Three” is a locked groove of pure downtempo dubwise, techno in its repetition, hip hop in its tempo and swagger, motorik in its muscularity, meditative in its clarity.  Featuring the unmistakable voice of ZamFam Rider Shafique, showcased in a moment of profound introspection and vulnerability, “Three" banishes all thoughts of flash-in-the-pan “big tunes” for an incredibly deep and immersive dive. 

“Three Dub,” a version in the classic sense, strips out the vocal entirely to focus on the rockstone riddim, crafted of one of the most captivatingly beautiful bass tones we’ve ever heard, combined with wicked drum turnarounds, lightning hi-hat work, and extremely subtle & sophisticated dubbing technique. A masterclass in dubwise essentialism and profound attention to detail, stripped down to the foundation yet incredibly lush and alive.

Strictly limited to 600 copies for the world. No digital, no repress. Design & screen print by Polygon Press. Mastered by Sam Precise.

a1. Undefined - Three ft. Rider Shafique 

b1. Undefined - Three Dub