Shipping 2nd Sept
Four fresh Gqom beat-downs by Fatonic, Motion, MudPunk and Njeh, from Riverdene, in Durban. Earnestly atmospheric, buoyantly worrisome. Stripped and tautly fine-tooled, but urgently expressive. Bells, wood; monkeys chattering, dogs barking; garrulous talking drums. A little Chinese, if you please. Trim, diverse, combustible and knees-up.
a2. Gibbon 5
b2. The Legendary
Release Date: 30th April 2021
The Ossario EP presents four serpentine and labyrinthine techno tracks produced between 2019-20 by Andrea Bonalumi, also known as Big Hands. The title is an homage to San Bernardino alle Ossa in Bonalumi’s hometown of Milan, and personifies the ethereal and opaque atmosphere of his ouevre.
Stylistically ‘Girde Maye/Astere’ embodies the interrelation between his Milanese roots and adopted home of London. Recorded one summer evening in Bow, it includes an original vocal by a Turkish immigrant, spoken in Italian - a paean to an unrealised, borderless world. This is followed by the pendulous, mutating bell tones of ’Modulo’, a fragmented and abstract epic of sublime beauty that defies easy categorisation.
On ‘Oscillation’ the producer explores polyrhythms, which also functions as a tool for DJs to transition between tempos. The undulating groove of ’Cariatide’ rounds out the EP, a statement from a talented producer who deftly crafts a soundworld which is at once contemporary and historical.
A1. Girde Maye/Astere
Release Date: 6th May 2022
“The doors are where the windows should be, and the windows are where the doors should be”. If you had been in one of the more open minded all night raves in the early 90s you are likely more than familiar with Earth Leakage Trip’s ‘No Idea’.
You could write several pages about the 'Psychotronic EP' and still not nail it as well as Discogs user covert_operative's description of 'urban, British psychedelic music.' The Acid House narrative is all about ecstasy, but for many, especially outside of London, there was a lot of LSD involved. Things were edgier, too, with parties in derelict, liminal spaces. By the time this record came out in 1991, the rave was properly diverging from its house music beginnings.
The Psychotronic EP was the first release on the legendary Moving Shadow label. Its lead track 'No Idea' is both the perfect entry point to the catalogue and something of an outlier. Neil Sanford had been writing music for a few years before playing some demos to Rob Playford in his car outside a nightclub in Wood Green. Simon Carter got involved, and the pair went to Playford's studio to manifest the madness they'd been sketching with rudimentary gear.
'No Idea's use of samples was wholly inspired and far more surreal than so many of the dark-side tracks that were to follow it. A friend of Neil's had given him a record called 'Happy Monsters' and the lead track, 'Adventures in the Land of Ooog,' lent the unforgettable children's vocals. Neil initially had his doubts. Had they gone too far? However, while working on the track, Rob Playford's girlfriend ran in shouting, "you HAVE to use that!" And so it came to be.
As a footnote, the track did prove to be strong medicine, with at least one documented account of a promoter having to be talked down by his friends after hearing it when psychedelically altered.
The Psychotronic EP is a truly visionary piece of work, standing poised on the edge of the rave's burgeoning future and entirely outside it. As such, it's never not been a cool record, as appealing to lysergic adventurers as it is to house heads, hardcore ravers, or experimental music pioneers. And it has now been lovingly reissued by Blank Mind, for which I'm eternally grateful, seeing as my copy is battered beyond belief.
Written by Piers Harrison
Remastered by Graeme at the Exchange
Licensed with permission from Moving Shadow
Played by Autechre, Colin Dale, Colin Faver, Orbital
A2. Over 92
AA. No Idea
Shipping around 31st October
Hot on the heels of the label's gqom scorcher, this compelling cabinet of oddities bundles together four different artists, both familiars and newcomers. Blank Mind founder Sam Purcell kicks off, with some orchestral music flanged to giddy abstraction, heralding the return of Alan Johnson, to test its weighty dynamism in freer, surreal mutations. On the flip, a two-drum-kit jam blazes with propulsive yet disintegrating energy. And, to close, the recording debut of Variete, put down on a Scandinavian Christmas Eve morning: a gently purposeful, reflective ascent.
a1. Dance - The Poison Dwarf
a2. Alan Johnson - Ank
b1. L. Sae - Dices Courter
b2. Variete - Ascend