Release Date: 26th April 2019
'Berlin's Cinthie has rapidly become one of the most in demand DJ's and producers in recent times, a staple in the electronic music scene of the German capital she heads up a number of imprints as well as a record store and touring the globe. Last year saw her debut on Will Saul's Aus imprint and the start of a new direction musically, here Cinthie continues this, returning to the label with three more disco-tinged, sample heavy house cuts'
b1. Time To Move
Release Date: 22nd February 2019
The ‘10961′ EP is Haider’s debut for AUS music following his breakout EP on his own Breaker Breaker Recordings. Having picked up support from a wide range of incredible DJs from Leon Vynehall and The Zenker Brothers to Annie Mac and Moxie, he caught the attention of Will Saul with his eclectic talent. The ‘10961′ EP again features a real range of sound from classy melodic electro to dusty, trippy deep house at it’s finest’
a1. Haider - You
a2. Haider - Yellow Cake
b1. Haider - Robocop
Released 8th February
Tom Ruij aka Tracey’s palette of influences is wide and far-reaching, from the far-sighted futurism of Detroit and the deep space pulse of electro, to left-of-centre electronic experimentalism and the alien world of British and European IDM all of which are showcased on his Metamorphosis EP.
a2. Mind Power
b1. Blue Invasion
Released 23rd November
Cinthie joins the roster of Aus Music this November with her ‘Trust’ EP, comprising three original cuts from the Berlin artist. Founder of several imprints, namely Beste Modus, we_r_house and 803 Crystalgrooves, as well as her own label collective and record store brand Elevate, native Berliner Cinthie has become a highly respected figure in electronic music in her hometown and across the globe over the past few years. Most notably known for her long standing as a DJ primarily, yet recent months have seen Cinthie build her own studio and dedicate much of her time to carefully crafting the music she’s always longed to. This new EP for Will Saul’s Aus Music is a product of this time spent and marks the next phase for Cinthie’s productions. Title-track ‘Trust’ leads on the package, fuelled by an infectious marimba style percussive melody, bright tension building strings and a bumpy bass hook whilst crunchy drums and a spellbinding arpeggio leads further fuels the emotive, subtly blooming feel. ‘Lost At Sea’ follows next, employing a loosely flowing organic drum groove, jazzy Rhodes chords and resonant moog style synth licks to create yet another classy twist on contemporary house music. ‘Hip Swing’ then rounds out the package on a deeper tip with heavily swung, up-tempo drums at the forefront whilst murky bass reverberations, choppy stabs and ethereal pads subtly ebb and flow in the depths.
b1. Lost at Sea
b2. Hip Swing
Release Date: 16th October 2018
Will's returns to AUS following his 'By Your Side' EP which saw support from luminaries such as Sasha, Dixon & Gerd Janson. The 'Arps & Early Starts' sees Will take things deeper, trippier and once again in another direction, continuing to move things forward. This is his third release in the past six months and sees the AUS label head enjoying the studio and DJing more than ever, he's on the road extensively over the coming months - visiting the legendary Rex in Paris, London's Printworks, Barcelona's Nitsa, Elsewhere in NYC and putting on his own ADE party alongside Jeremy Underground, Bradley Zero to name a few.
b1. Come Together
b2. Start Again
Released 5th October
Gerd returns to AUS with The Prophetess EP, a four tracker that showcases a producer capable of soundtracking peak-time moments anywhere and everywhere. The A side leans towards breaky drums and punchy melodies whilst the flip includes two acid bombs. If you’re a fan of G’s much loved NY Stomp & Geeeman monikers then this release should be no different.
a1. The Prophetess
a2. Pleasure Groove
b1. Cybord Acid
Release Date: 23rd February 2018
Inside Out is a brand new series that invites DJs and producers to blur the boundaries between traditional artist albums and mix compilations. Coming from Aus Music label head and DJ-Kicks curator Will Saul, the concept encourages artists to showcase their own music and or the music of those in their own individual circles. The mix will be release digitally and on CD, while a selection of the tracks will also be available on double gatefold vinyl. Each instalment will feature 100% new and unreleased music. It is a chance for artists to take sole creative charge, A&R as they see fit and then commission brand new music specifically for the cause. Depending on who is at the helm, Inside Out will take different forms: producers may wish to represent their own sound with only music they have made themselves or with close collaborators, while DJs and label heads may wish to reflect the sounds and scenes that surround them. The results will be a window into an artist’s world that works as a coherent mix, but also as a treasure trove of fresh new music that steps outside the usual lines of a dance album. The idea stems from Will Saul’s own approach in the club, which often finds him seeking out brand new and unheard music to play for the first time. That feeling of taking people into the unknown is one that reminds him of the energy and excitement of his early days as a dancer.
a1. Komon & Will Saul - Positive
a2. Gerd - Echoes
b1. Primitive Trust - Little Love (Floorplan stripped mix)
b2. Juxta Position - Glider
Release Date: 26th January 2018
Will Saul and Tee Mango continue the Primitive Trust EP series with their third release. ‘Little Love EP’ is a blissful 3 track package featuring a Floorplan remix. ‘Little Love’ builds warm harmonies driven by syncopated bass grooves whilst Tee Mango’s Dub of ‘Tejon’ heads for the sun with radiant, shuffling chords. For the remix, Floorplan delivers unrestrained rapture on a peak time roller full of cathartic vocal bursts.
a1. Little Love
a2. Tejon (Tee Mango’s Dub)
b1. Little Love
Release Date: 27th October 2017
Aus welcome Allen Wooton aka Deaboy for his debut release in 'Auogeides 77' Wooton's bold, rugged club music has really reached its zenith in recent years following key releases on Local Action and Numbers, 'Auogeides 77' is no different.
Rough analogue drums, broody melodies and a smidgen of that UK flavour he's well known for all feature just in time for post festival heads down basement club season
a1. Auogeides 77
b2. He Became a Bird or Snake
Release Date: 22nd September 2017
Marquis Hawkes marks his fifth release for Aus with another classy 2 tracker titled, 'The Phoenix' (Part 1 and Part 2). The Phoenix follows up summer hit 'The Basement Is Burning' which saw Midland, The Black Madonna and Gerd Janson all supporting at festivals worldwide. The Phoenix is two takes on one concept.
Part One takes the Disco and House amalgam which Marquis has developed in recent times to it's logical conclusion, perfectly walking the tightrope between joyous abandon and classy depth, and giving DJs the perfect weapon for all floors, from sweaty basements right the way through to much bigger dancefloors.
Part Two then flips the program with the same raw materials and sets up the perfect shot, directed at a big room House/Techno crossover, building on the foundations laid by the Detroit techno originators by infusing contemporary production values and a more modern twist.
The Phoenix is something of a landmark EP for Marquis Hawkes, once again redefining his sound. We can't wait to hear what he does next.
a1. The Phoenix Part 1
b1. The Phoenix Part 2
Release Date: 1st September 2017
'Fallen Down' is the second EP from Tee Mango and Will Saul's Primitive Trust project, featuring a remix by Shanti Celeste.
The title track weaves percussive shuffles and vocal refrains with glowing synths, whilst colourful melodic layers and resonating vocal stabs armour the choppy live drums of 'Day One'. Dekmantel regular Shanti Celeste does what she does best with her remix of Fallen Down in building a rich, hypnotic groove that steadily develops with intricacy and depth, whilst 'Big Tracky Disco Tool' is exactly that.
a1. Fallen Down
a2. Day One
b1. Shanti Celeste remix
b2. Big Tracky Discoid Tool
Release Date: 14th July 2017
'Primitive Trust is the coming together of two experienced musical minds. In one corner is Will Saul of the influential Aus Music empire, and in the other is Tom Mangan, aka Tee Mango, the producer who started Millionhands record and clothing label. The pair met many moons ago and reconnected recently at a festival in Morocco. They bonded over music, lunch and shared family travails - and as they both now live in Somerset decided a little local studio collaboration seemed all but essential. Between them, these consumate country gentlemen have seen plenty a musical styles come and go, so decided their best route forward would be to make music to please themselves. To that end, they holed themselves up in Tee Mango's woodshed studio with the following ground rules: they would make music only with the gear they had (MPC 2000, Ableton, Roland 101, Juno, Fender Rhodes, various FX pedals) they would trust their instincts and go with first feelings they would embrace the joy of randomness if in doubt they would ask 'What would Carl do?'
With that, you have the simple but effective MO of Primitive Trust. These sessions have resulted in a series of three EPs to be released over the course of four months. Each EP will feature 2 or 3 original tracks and one fresh remix, with unique artwork and an illustration by all-around visual auteur Geoff Mcfetridge. Using the building blocks of house, and classic techno Primitive Trust can do zoned out and romantic, as much as driving and heady, but with an ease that comes from experience, years in the making. While tipping their proverbial hats to the past they also look to the future with their sound, mixing samples, wigged out synthwork and propulsive rhythms to create something honest and heartfelt that will stand the test of time'
a1. Power On
a2. Time To Love
b1. Skarbard Remix
Release Date: 26th May 2017
Next up on Aus Music is the welcome return of a good friend and label regular - the ever ascendant Marquis Hawkes. Having released 4 EPs on Aus thus far, he makes his return in the form of a blazing, floor-focused 2 track EP which sits neatly with previous outings on the label. 'The Basement Is Burning' takes it's name from a near-fateful experience stemming from an electrical fire in Hawkes' home which culminated in him and his family being evacuated from a 5th floor balcony.
Having ensured the safety of his family, he made a dash across Berlin to make a 10am live show, a few days later with the power back on 'The Basement Is Burning' was born. The title track kicks off with splashy, live drum samples that are armoured with electronic layers before a feel-good piano lick glides into the mix. Bursting synths are introduced before ducking strings chords bring the track to an ecstatic conclusion. 'Tower Block Boogie' then tumbles short funk samples through bold drums as a fervid sense of tension burns throughout.
a1. The Basement Is Burning
b1. Basement Boogie
Release Date: 12th May 2017
Next up on Aus Music is the return of label boss Will Saul working alongside long term label favourite Komon. Together the duo line up ‘Harmonise’ - a smouldering single that comes backed up with an almighty pair of remixes from Osgut Ton mainstay Nick Höppner and analogue aficionados Juju & Jordash.
The title track kicks things off with glowing, interweaved synths and a pattering tom line.
Vocal snippets and trippy delays suffuse a purposeful bass tone before the 101 Dub Version rolls out with punchy drums and a sharp, darting acid line.
Berghain regular Nick Höppner then does what he does best with his remix in building a rich, hypnotic groove that steadily develops with intricacy and depth. Dekmantel and Golf Channel regulars Juju & Jordash then drive a warped, rumbling synth line through spacey atmospherics rounding off another fine addition to the catalogue.
a2. Harmonise (101 Dub)
b1. Nick Höppner Remix
b2. Juju & Jordash Remix
Released 24th March 2017
Aus welcome back label favourite Shenoda for his third release on the label, ‘Burn’ backed with a remix from Juxta Position. Previous releases on Hypercolour & Electric Minds have seen Shenoda firmly on the ascent but it’s in his recent outings on Aus that his bold, rugged club music has really reached its zenith. ‘Burn’ follows suit with its predecessors with its power being rooted in seismic, analogue drums that are balanced against soft, allaying melodies. The muscular ‘Vista’ then rolls out punching stabs and tight, shuffling drums before label mate Marquis Hawkes dusts off his Juxta Position alias and delivers a pacey and forthright take on ‘Burn’. Melodies are softly mangled and given a spectral quality that recalls his ‘Mazury’ on DVS1’s Mistress wrapping another solid addition to the catalogue as the Aus Music family continue to deliver the goods.
b2. Burn (Juxta Position Remix)
Released 24th March 2017
After making a sunny debut on Aus back in May 2016 - Brooklyn based luminary Recloose readies his second 12″ for the label and in doing so enlists the help of Mara TK of Electric Wire Hustle, Ezrakh and Son of Sound of House 2 House and Strictly Rhythm fame. His ‘Spirit Knows’ EP adds to a catalogue of more than 20 years - one that’s touched the likes of Planet E, Rush Hour and Peacefrog and in a similar vein to ‘Honey Rocks’ - his latest offering comprises 3 eloquent cuts of House Music and carries with it a balmy sense of soul that fans both old and new will relish.
a1. Spirit Knows (ft Mara TK)
b1. No I Don’t
Released 17th February 2017
After a run of new signings in 2016 - Aus music kick of 2017 with something a little bit different. To inaugurate the new year they welcome in Catz ‘N Dogz for three separate interpretations of classic records from the Aus Music archives. Cherry picked from the vast back catalogue are tracks from Bicep, Geeeman and George Fitzgerald - all of which are given a rough, smokey treatment from the PETS Recordings owners. Kicking things off is the remix of Geeman’s ‘Wanna Go Bang- he title track from his punchy 12-inch from 2015 that now sees a driving and percussive reworking. Bicep ‘The Game’ is next in line - a track from the Irish duos first solo outing on Aus back in 2013. Soft, overlapping chords are propelled by snapping drums and multiple melodic lines that build an allaying palette The remix of George Fitzgerald’s ‘Hindsight’ then caps things off as more frazzled drums propel a stuttering vocal line and a warped synth pattern. Continuing to keep things fresh - Aus look ahead to another year of new signings and surprises and kick off here with a reminder of the solid foundation that has come before it.
a1. Geeeman - Wanna Go Bang
b1. Bicep - The Game
b2. George FitzGerald - Hindsight
Released 10th February 2017
In the follow up to his Doornroosje EP released back in October last year - Aus continue on form in 2017 and present another solo EP from label mainstay Marquis Hawkes. Having been brought into the fold on 2015, the Berlin based artist has consistently utilised Aus to outlet his more soulful and stripped productions.
His previous work has comprised fun, sample-heavy tracks designed with nothing but the dance floor in mind and his latest 12" 'Sweet Temptation' expands on this bringing melody, rhythm and chords to the foreground. Jubilant, powerful vocal lines and stony drums are the core ingredients and their melding results in a collection of 4 tracks of varying moods and intensities.
While 'Burning Light' and 'Sweet Temptation' pack a certain big-room punch, 'Eivissa' and 'Zapper Bluesky' carry depth and soul in a manner that recalls a classic and cherished Hawkes sound. Now 5 releases deep with Aus Music - Marquis Hawkes continue to demonstrate why he is a regular and esteemed member of the roster.
a2. The Burning Light
b1. Sweet Temptation
b2. Zapper Bluesky
After a succession of new signings including Recloose, Tom Trago and Paul Woolford - Aus Music return to their original roster and roll out another solid 3-track EP from label mainstay Huxley who - in a monumental pairing - enlists the help of Chicago legend Roy Davis Jr. With a grand total of 8 Aus records under his belt including his lauded LP ‘Blurred’ - Huxley continues to return with a sound that typifies the label - intricate dance that music that packs power and emotion in equal measures.
The ‘Rag & Bone’ EP kicks off with ‘Do You Feel Me’ - a track that seed Roy Davis Jr. and Huxley meld moody synths with a tough, rattling low-end. A striking vocal runs over subtle flecks of acid and bending melodies that make for a pensive trip before ‘Weapon 3′ dials Carl Craig-esque tension with rough, tribal drums and razor sharp sweeps. The Dub of ‘Weapon 3′ then mellows the tone of the original and rounds off a varied pack of dance floor bombs.
a1. Do You Feel Me
b1. Weapon (Dub)
Aus Music follow up a string of records from fresh signees Paul Woolford, Tom Trago and Recloose with the return of a long term friend and label favourite Marquis Hawkes. Hot on the heels of his recent LP ‘Social Housing’ - the Berlin based artist lines up ‘Doornroosje’, a tight a two-tracker that remains consistent with his output on Aus: dancefloor-focused jams suffused with simplicity and soul. ‘Discopuss’ kicks things off with a potent combination of samples and hardware as sassy Funk samples are propelled by tough crunching drums. The title track then follows up with piano stabs and busy, percolating synth lines driven at a pacy rate to rapturous effect rounding off another solid addition to Aus Music’s catalogue.
Released 19th August 2016
In the follow up to their recent 10 Year celebrations - Aus Music present another landmark signing for the label as they triumphantly welcome long term friend Paul Woolford into the fold.
Few artists can boast of a catalogue as consistent and as evolutionary as Woolford and his latest offering for Aus - as ever - lands right on the mark in delivering a beguiling trip split over two sides of vinyl. ‘Heaven & Earth’ is a rich and elongated House record that contrasts bright orchestral melodies with thick, tearing bass tones. Together - these two primary elements create a fervent sense of tension that no doubt will soundtrack countless memorable dance floor moments over the festival period.
a. Heaven and Earth (Part 1)
b. Heaven and Earth (Part 2)
Released 5th August 2016
2x12" Vinyl. AUS Music ready a double vinyl remix package from Cassy’s debut album,’Donna’ which came out in June 2016. With ‘Donna’ we hear a more personal side of Cassy. Co-produced by her “soul brother” King Britt, Cassy reconnects with her vocal talentwriting lyrics and singing on all tracks but one, making the album an intimate journey from the soul. Cassy has en-listed some of her most respected peers, all of whom have put their own stamp on the original tracks. This makes the remix package the perfect contrast to the album, and also proves that Cassy’s original music has the seal of approval from some of the finest house and techno heavyweights on the circuit today. Marcel Dettmann adds an endearing edge to move ‘Move’, whilst Ron Bacardi picks up an undeniable pace on ‘All I do’. ‘Feel’ is taken on a cosmic journey with Onsulade’s Yoruba, and Radio Slave gives ‘Keep Trying’ the remix treatment twice. Finally ‘Keep Trying’ is reworked on by friend & collaborator, D’Julz, Julz takes takes things down a subtle, dubbier route with his edit, keeping Cassy’s vocals a staple throughout.
a1. Move (Marcel Dettman Remix)
a2. All I Do (Ron Bacardi Remix)
b1. Keep Trying (Radio Slave Feel Raw Remix)
c1. Feel (Yoruba Soul Mix)
d1. Keep Trying (Radio Slave 100 Reasons Remix)
Repress released 22nd July 2016
Following in the footsteps of Midland, Dusky, Bicep, and Glimpse, Leon Vynehall is next in line to join Aus’s early-2013 run of highly anticipated and sought after releases. Over the course of two EPs on Brighton’s Well Rounded Housing Project and an acclaimed two-tracker on George Fitzgerald’s ManMakeMusic imprint (Gold Language / Don’t Know Why) Leon Vynehall has established himself as more than just your average dance producer: he’s established himself as a genuine artist, whose approach to production carves its own unique path, regardless of expectation or reaction, as he himself admits, “I like chords, I like atmosphere and some sort of emotion in music. Rather than it being just about the dance floor, I like it being a bit of both. I like to take a sound and change it, manipulating things so they sound a bit dusty. With drums, I like to make them sound more human. I prefer dance music that isn’t quantized, regimented, and super mixed down to the nano-perfect spot. I’m a believer in the fact that music doesn’t have to sound professional to sound great. Mastering engineers hate me.” The ‘Brother / Sister EP’, due on June 10th, is a master class in rough and ready house music - the A-side is a brutal, hook-fuelled rhythm that has already been destroying clubs in Saul’s own sets, while the flipside - born of the same rugged percussion - is balanced with an undeniable beauty and melodic character that many contemporaries would struggle to pull off. Listeners of his XLR8R podcast from February this year will recognise “Brother,“ and after much speculation will be glad to know of its imminent release, while both sides of the 12″ also received their first radio airplay in Aus boss Will Saul’s recent BBC Radio 1 Essential Mix.
Repress released 22nd July 2016
Following up their ..Henry 85.. 12″ on Aus sister-label, Simple, in mid-2012, Dusky re-emerge with another four-track EP, marking their first release of the new year. Having only broken onto the scene in late 2011 with their debut album, Stick By This, the profile of dynac duo Alfie Granger-Howell and Nick Harriman has continued to rise considerably through a series of strong EPs and remixes for artists including Justin Martin and Hot Chip. Their distinctive brand of off-kilter and purposefully cross-pollinated house-garage-techno has been championed by everyone from Seth Troxler to Loefah to Pete Tong to Paul Woolford. On AUS1345, the pair demonstrate exactly why they have garnered such widespread support. Their masterful weaving of subtle, slow rising vocal clips with penetrating basslines and scattered percussion can be approached, adapted and appreciated by any dancefloor.
a1. Nobody Else
a2. What I Never Knew